Located in Wedgewood-Houston, Arena Imprints provides – well can you guess from the mural? Like the saying goes, “exactly what it says on the tin.” Or in this case the mural. Arena is the place to go to order up screen printed apparel (and they do some other kinds of printing as well). A company that that does graphics production really ought to have a well-designed sign, particularly in Wedgewood-Houston, known for its art scene. This one was produced by Terrance Haynes of TerNan Art Production, a collaboration between Haynes and Nanella Henderson. And here we see another Nashville skyline featuring the Batman Building, a common motif in Nashville murals. We do love our Batman Building!
Located at 467 Chestnut Street. The mural is found on the north-east side of the building, facing a large parking lot. Parking available there and on the street-facing side of the building.
This photo is at an odd angle because of how narrow the alley is that hosts these three murals. The lie on the back (east) side of the Industrial Fire and Safety Inc. building on Ash Street in the Pie Town section of SoBro. The first two are by Audie Adams, who as part of Thoughts Manifested was a major contributor to the murals on the north and west side of the building as well. (See Part 1 and 2 below.) Somehow, Adams got a much better angle on the “wasp” mural than I did. Some of that may have been a better camera, but lying on the ground helped too! The brown mural at the end is by Jeff Bertrand. The image of the woman with a starry headdress shows up in some of his other pieces. Since I took these photos, a piece of fencing went up blocking this alley from the north side, perhaps to discourage homeless individuals from sleeping here. If you look close in the slide show below you’ll see there is no mural next to the last shot of the wasp mural. That’s because I photographed it first, in April 2017, when it was by itself, and took the other photos that October 2017 (I am nothing if not current!) after all the murals were finished.
Located at 608 Ash Street. The new Division Street extension complicates access somewhat. The mural above faces into a parking lot and alley on the north side of the building, on the opposite side from Ash. It’s easily accessed through the parking lot entrance on Ewing Ave between Middleton St and Fogg St, or down the alley that forks off of 6th Ave a little south of Lafayette Ave. Parking here is easy.
Along the same wall that once housed the mural featured in Hidden skyline, one can now find a set of elaborate graffiti tags, as well as Elmer Fudd, Bugs Bunny, and of course a camel. Because camels. This art went in in early March, and may soon not be visible. One of those temporary electrical hookups you see at constructions sites has appeared in the yard in front of the mural. Even if the new building doesn’t complete;y hide it, the construction to come will certainly make it hard to take in the whole things. The only tag recognize belongs to Mobe Oner. On his Instagram page, he also credits The Rebel at Large, G. Lowks, bigskan2, and sticker_butthead (the last two are both private Instagram accounts). In any event, this is likely to be blocked from view soon, so check it out now!
Located at the corner of Herman Street and 19th Avenue North, on the east side. Street parking is available. There is a lot of art on this group of buildings.
The new mural by Michael Cooper of Murals and More is an interesting addition to Nashville’s outdoor art scene. Unlike most outdoor art murals in town, tourists won’t be getting their portraits taken in front of it, pretending perhaps to be run over by the large truck in the center. The Marathon Gas terminal on 51st is decidedly industrial and off-limits to outsiders. That fence is as close as you’ll get without an invitation. But the Marathon terminal is also in a rapidly gentrifying neighborhood, on the north end of The Nations. Just down the street are places like Nicky’s Coal Fired Pizza, an outpost of Frothy Monkey, and a Frutta Bowls. Fancy apartments have opened a couple blocks north, and more are coming. And murals are popping up all over as part of this gentrification, such as the one for Village Realty and of course the giant silo mural. Marathon may simply be trying to stay in tune with the changing neighborhood, or it may be playing a little defense. The Nations used to be the kind of low and middle-income neighborhood that an industrial site holding hazardous material is often found in, but now Marathon has wealthier neighbors not always accustomed to living near such a site. Some art might make the relationship a little easier. In the slideshow below, take a look at how Cooper cleverly incorporated the Marathon sign that was already on the building.
Located at 1472 51st Avenue North. There is some street parking south of the railroad and at local businesses. A path has recently been installed along the fence, and there’s a picnic table as well. Grab a cup at Frothy and enjoy the art!
I don’t often do very new work, but as this is a paper image in an outdoor setting, and is by nature ephemeral, so I want to post about it now before it’s gone. It’s a Brian Wooden piece and fits in a style we’ve already seen in works like the one I featured in Striding. Based on his Instagram feed, it’s a fairly new piece (that link is dated August 20) and there are others like it. You can even get a holographic sticker with the same design. If you want your selfie with this one, go soon. The paper is already peeling a bit.
Located on the 800 block of 12th Avenue North. There are railroad tracks behind Marathon Village. This installation in on the south side of the I-40 bridge over those tracks, facing Marathon Village. There is gravel lot right next to this installation.
To recognize the evolving character of the neighborhood, Bell said he plans to work with local artists to add a large mural on the building’s Centennial Boulevard face. He pointed to the Silo Bend mural, located nearby, as an “instant landmark that garnered national attention” as a model of sorts.
I have almost finished documenting the many murals at the old tire factory at 19th and Herman. (To learn about how these murals came to be, see Part 1.) One thing I’ve learned – avoid if at all possible multi-part posts! Most of what I have not documented in this series either appeared relatively recently (which I will deal with separately) or I have no idea who the artist is (which I’ll handle in one post wrapping up this series). I do of course know who did this one, as it signed by an artist who has already been on this blog before a few times, Tennesse State University art professor Brandon Donahue. I should note that since these murals first went up, a lot of materials have been stacked up in the yard where many of them are found, so it can be difficult to see them. The picture here is imperfect, because a car blocked the original shot, but getting a better photo would be near impossible today. It’s still a sight worth visiting, but don’t expect all the murals to be fully visible. See the pin for Part 1 on the map.
Located at the north end of the 800 block of 19th Street N., at the corner of Herman Street. It’s impossible to miss. Street parking is very haphazard. There is a lot to see here, and also a lot of overgrown weeds (depending on the time of year) so wear the right shoes!
I’ve often said I’m a blogger, not a journalist. Still, this is a pretty prominent mural, and it was finished almost a year ago. One issue has been photographing it. You would think something this big and visible would be easy to shoot, but given the industrial area it’s in, getting a good angle isn’t easy. And of course, that’s not whole mural – the rest is below. Sponsored in part by the Nashville Walls Project, the mural is the work of Australian artist Guido van Helten. (That website hasn’t been updated in a while. You can find his more recent work on his Facebook page.) Van Helten makes a specialty of giant portraits of people local to the community he is painting in. The gentleman featured here is Lee “LD” Estes, a 92-year-old lifetime resident of The Nations, the West Nashville neighborhood where this mural is found. The mural represents both the gentrification of The Nations and, in Estes, the longer traditions and history of The Nations. This article discusses that and has some good pictures as well. The silo itself is almost all that’s left of what was once Gillette Grain Co. Now its part of Silo Bend, a 38 acre development project of Southeast Venture that includes both housing and retail. Southeast Venture planned on keeping the silo from the beginning, and commissioned the mural, and now the silo and the mural feature prominently in the development’s branding. You can watch a series of day by day videos documenting its creation, and there’s also a time-lapse video for the whole project.
Located near the intersection of Centennial Boulevard and 51st Avenue North. The portrait of Estes can be best viewed from the parking lot of the shopping complex that includes a branch of White Bison Coffee, located at 5202 Centennial. Getting a clear view of the two children is tricker, and might be considered trespassing, though it’s not marked as such. Go north on 54th Avenue from Centennial, and cross the railroad track, turning right immediately. This is a construction staging area at the moment. The gravel road paralleling the railroad goes right up to the silo. No one stopped me when I did this. Hopefully, once all the construction is finished, proper public access will be available.
And the blog is back! How about a whole lot of art to celebrate? Back in April, there was an art show at an old warehouse in The Nations whose only indication of its past is a damaged sign that seems to have once read “Motor Parts.” The show was carried out by Impermanent, which bills itself as “a collective of artists who are displaying their talents in the world of subversive and immersive art within an uninhibiting environment,” and was done in partnership with Nashville Civic Design Center and The Oasis Real Foundation. The show produced art both inside and out at the warehouse. This blog covers outdoor art, but you can see some of the creations inside in this video. Some of the work on the outside features tags associated with the UH crew. There is one piece signed by Brandon Donahue (look for the “inkblot” image that is the second image in the South Wall slideshow below). On the Impermanent website, the orange face above is credited to Sterbo and based on style, the mouse on the south wall and the mouse and head on the north wall appear to be the work of Adam Hale, while the ice cream-colored scene around the orange face fits the style of Kevin Bongang. Presumably, the other artists listed on Impermanent’s Who page (UPDATE: Their website has no longer exists) were also involved in producing the outdoor art. (I really should have gone to this show – I’d be better informed. It must have been laundry night!) Go check it out soon. An abandoned warehouse in the go-go-go real estate market of The Nations won’t last long.
UPDATE: These murals have been painted over.
East Wall, left to right.
South Wall, left to right.
West Wall, full, then left to right.
North Wall, left to right
Located at 1211 57th Avenue North. Street parking is available.