I don’t often do very new work, but as this is a paper image in an outdoor setting, and is by nature ephemeral, so I want to post about it now before it’s gone. It’s a Brian Wooden piece and fits in a style we’ve already seen in works like the one I featured in Striding. Based on his Instagram feed, it’s a fairly new piece (that link is dated August 20) and there are others like it. You can even get a holographic sticker with the same design. If you want your selfie with this one, go soon. The paper is already peeling a bit.
Located on the 800 block of 12th Avenue North. There are railroad tracks behind Marathon Village. This installation in on the south side of the I-40 bridge over those tracks, facing Marathon Village. There is gravel lot right next to this installation.
This blog is devoted to outdoor art, and the mural above mostly qualifies, as it is just inside the 5th Avenue entrance to the L&C Parking Garage and if the wind blows from any westerly or northern direction, the rain would definitely hit it. And why does a portrait of Pat Reedy grace a parking garage wall? Because in the basement of the same garage is The Vinyl Bunker, a record store owned by Jason Galaz (the artist who made the mural) and is also headquarters for Muddy Roots, the music festival and record label. And no surprise, Reedy records for that label. So, synergy?
Located at 144 5th Avenue North. The entrance to the garage opens on to the alley behind Downtown Presbyterian Church. Look for the giant mural of words (which I have not yet featured on the blog) – this mural is just below that one.
The mural that graces the parking lot of the Downtown Presbyterian Church is difficult to photograph, as it faces a narrow lot and there are usually cars parked in front of it. Turns out, Sunday evening on Labor Day weekend is the time to get a clean shot. The work, done in 2007, is by four artists. The giant angel and the billy goat are by John Grider, the long-legged beasts are by Isaac Arvold, the colorful mountain by Drew Peterson, and the geometric “clouds” are by Eric Inkala. The mural indicates that it was made possible by the church and by Twist Art Gallery, which closed a few years ago. Grider has done both the goat and the angel in other places. There are other murals close by, including one that faces this same parking lot I haven’t featured yet.
Located at 154 5th Ave North. That’s the address of the church. The mural is actually on the side of 415 Church Street. The parking lot is best accessed from the alley that parallels Church Street behind the Presbyterian Church. This is downtown, so lots of parking, virtually none of it free.
It seems that jamersonsgc is on a mission. Several pieces of his have appeared along and near the Lafayette Street corridor in the general vicinity of the JC Napier Homes. This piece is on the back side of Tito’s Gyro Grill on Lafayette. (They don’t have a website or social media presence.) The pan-African themes are pretty evident in this piece. Look close at the face (below) and you’ll see a number of mathematical equations as well. While it isn’t signed per se, Low Key Art is a tagline Jamerson uses. He also did a skyline on the front of the building (which is partially obscured by a sign) – see below. And he has updated the piece I featured in Low key bee, so look for new photos on that post soon.
Locat at 13 Lafayette Street. This is just a few steps from the complicated intersection with 2nd Avenue South and McCann Street. It is conceivable to park along the gravel driveway that links Lafayette and 2nd, or in the yard in front of the mural, though that’s not certain. Tito’s has very limited parking. You could also try parking on McCann.
No, I didn’t misspell “revive.” This Nashville Walls Project mural is by Beau Stanton and was done in collaboration with Rivive, a non-profit that looks to raise awareness about and improve river resources in the Nashville area. So talk to them about my spell checker going nuts! The water theme is clear, with a Greco-Roman woman pouring out water, along with fish and other water life. Blanton has some nice photos on his website (including a timelapse video) as does Nashville Walls Project (including photos of the production on the mural). It’s a hard mural to shoot, given its enormous size and the fact there is a building across the street. Certainly, it makes the downtown version of Blush easy to find! (The writing on the far corner of the building is part of another mural I haven’t blogged about yet.)
Located at 144 5th Avenue North. This is downtown, so there is plenty of parking, none of it free.
Often I don’t get around to posting art until long after it appears, but this time I’m almost guilty of journalism, as this piece was finished very recently. It’s by Adrianne Tuck Simonetti, who besides being a muralist is the Senior Creative Project Manager at the Country Music Hall of Fame. The building itself, found at the corner of Lea and Hermitage, is undergoing a transformation that as of last weekend was not quite complete, as the street in front was still blocked for construction. It will be the new home of the Nashville office of JE Dunn Construction, which commisioned the work by Simonetti. Once the construction is finished and the street fully open, expect to see this mural in many social media posts.
Located at 29 Hermitage Avenue. The mural lies on the southeast side of the building facing Lea Avenue. Right now Lea is partially closed and there is no parking on Lea from Rutledge Steet to Hermitage. There is some free street parking on and near Rutledge, and presumably more will be available when Lea fully reopens.
Sure, there’s more than one mural featuring Johnny Cash in this town. But this was one of the first, if not the very first. Or at least, the original one on this spot was. Bryan Deese, Audie Adams and Ryan Shrader of Thoughts Manifested produced a Cash mural on this spot not long after Cash’s death in 2003. However, by late 2012 it was in very bad shape, so the same three artists painted a new Cash mural to replace the original (and I do not know how close the second version is to the first). There is a video of them making the second mural. Now six years on, the second mural is somewhat worse for wear, and it faces more threats than just the weather and traffic smog. The little building it’s on is surrounded by some very expensive real estate, and it’s hard to imagine no developer has any interest in it. If you want your picture taken in front of it, you might want to do so soon.
Located at 300 4th Avenue South at the corner of 4th and Molloy Street. The mural faces Molloy. This is downtown, so lots of parking, almost none of it free.
It’s Memorial Day, and so it’s a good day to look at one of the more striking war memorials in Nashville, the Tennessee World War II Memorial found on the grounds of the Bicentennial Capitol Mall State Park. Like the rest of the park, it was built to coincide with the 200th anniversary of the 1796 founding of Tennessee, though it was not finished and dedicated until November 11, 1997 (Veteran’s Day). The primary feature, which children (and adults!) love playing with is the eight-ton carved stone globe, which rests on a cushion of flowing water and can be easily pushed into different angles, though it rotates on its own due to the flowing water. In front of the globe is a stone platform littered with stars honoring the 5,731 Tennesseans who died in WW2. Ten pillars, five on each side, line the east and west of the platform. Reflecting the direction one travels to get to Europe or Asia from Tennesee, the ones to the east depict moments from the war in Europe, while those on the west depict moments from the war in the Pacific. To the south is a long bench with the names of seven Tennesee recipients of the Medal of Honor. A time capsule lays buried in front of that bench.
Located at 600 James Robertson Parkway (which is the address of the park). The memorial specifically is found on the north-west side of the park, along the 1000 block of Seventh Avenue North, and is about a block and half south of the 600 block of Jefferson Street. It lies across the street from the future home of the Tennesse State Museum, currently under construction. There is free parking in the park. This is a memorial, so please be respectful.
Art comes and goes depending on the needs of the sponsors. When I wrote about the art on the old Turnip Green/Plateone building, I wondered what would happen to the Seth Prestwood (@moldymonk) pieces on the north and south sides of the building since both businesses had left. So far, the one on the north side is unchanged. Recently, however, Jason Galaz incorporated the piece on the south side into new work featuring the artists Pat Reedy, Alicia Bognanno of Bully and Joshua Hedley. I suppose that’s a fancy way of saying Galaz painted over Prestwood’s mural, but the remaining visible parts of the older mural make a nice framing device for the new one. Galaz signs the mural with his name and #MuddyRoots. Galaz has done Muddy Roots Records murals before, such as the one found in BBQ music. Reedy is a Muddy Roots recording artist, though I’m not sure what relationship the other two artists have to the label/music festival. Certainly, musicians make sense on this wall, as the building now houses a branch of Fond Object. Muddy Roots has sponsored temporary murals before, like the one in Wanda, so it remains to be seen how long this one will remain in place. (The Wanda mural was on the side of the other branch of Fond Object, so there’s another link.)
Located at 535 Fourth Avenue South. This is downtown, so not much in the way of free parking. There are paid lost nearby.