Of all the works sponsored by the Metro Nashville Arts Commission, this is one of the more unusual. It becomes more understandable once you read about it on Metro Art’s website. This piece, “Anchor in the Storm” (2013), by Betty and Lee Benson, commemorates a moment when a quarry saved the local neighborhood. During the 2010 flood, 700 billion gallons of floodwater poured into the Reostone Quarry (located on Robertson Avenue just a few blocks from the sculpture), water that would have otherwise innundated the nearby neighborhoods of Charlotte Park, The Nations, and Crowley Wood. The rock, from the quarry, was carved and donated by the quarry’s owners, Rogers Group. The log structure is a raft, representing the neighborhoods saved by the quarry. Of course, I imagine it mostly serves as some interesting whimsey for small children to climb on. (The mural on the water tank behind is by Eric Henn. Read about it in This one is BIG!)
Located at 6105 Morrow Road, i.e. West Park. The sculpture is just a few feet from Morrow Rd, in the northeast corner of the park. There is plenty of parking at the park, and there is nearby street parking.
When Metro decided it was time to renovate both the West Park Pumping Station and West Park itself, plans called not only for new facilities for the dilapidated park but, oh yeah, also a 210-million gallon overflow tank to deal with major storms. That is, a 37 foot high, 260-foot diameter tank, plunked right on park grounds. That’s not exactly something you can hide. So to soften the blow a bit, the city hired Eric Henn to brighten up an otherwise drab concrete monstrosity. (See the second slide show below for what its unpainted older twin off park grounds looks like.) I think I can say this is the largest mural by far in Nashville. Plug the numbers into the formula for the area of the side of a cylinder, 2πrh, and the mural, which goes all the way around the tank, comes out to about 30,222 square feet. (“r” would be 130 feet, half the diameter, and “h” is the hight, 37 feet. The roof, by the way, which Henn and his team also painted, adds about 53000 square feet.) The silo painting of the older man and two kids is about 200 feet tall, but even with a base of 30 feet or so on each side, that only gets you to about 6000 sq ft for the man about a third of that for the kids, so 9000 or so. The Nations Wall that is only a few blocks from West Park, and which I have not blogged about yet (you can see a few pictures here) is probably less than 9000 sq ft all together, and the Off the Wall project in its entirety is in a similar range. The big murals downtown also top out at 10,000 sq ft or less. So yeah, this one is big, and you have to a bit of hiking to see all of it – 816 ft plus a little more, since you can’t hug right on the wall. Henn has an album on his Facebook page detailing the production of this mural, as well as a video of one of his colleagues struggling to stay out of the mud. His web page in incomplete, but it does suggest water tanks are something of a specialty. You can read here about all the improvements to the park, and here is an infographic about what the tank and the pumping station do. The first slideshow is a walk around the tank going clockwise from the featured picture above. The second shows some more distant views, the unadorned twin, and a closeup.
Located at 6105 Morrow Road. There is plenty of parking at the park. If the spots next to the community center are full, there is another lot past the water tank.
There’s mixed media, and then there’s mixed media. The sculpture of a stack of books at the Downtown Library featured in Heavy reading is made from stones from five continents. “Camino y Raíces/Roots & Routes” in Azafrán Park contains coins from no less than 77 countries. Azafrán Park, which opened in August, is the result of a partnership between Conexión Américas and Metro Parks and Recreation, among others. It sits on the north side of Casa Azafrán, where the Park building featured in Color me gone – soon once stood. It serves to provide a community space, particularly for children, in a section of town that has little open green space. This piece was produced by Jairo Prado in collaboration with students from the Opportunity Now program. As explained in this Nashville Arts interview with Prado, the students came from Glencliff, Nashville School for the Arts, Overton, and Hume Fogg. The mural, by its title and its coins from many lands, speaks to the different origins of many Nashvillians, particularly the immigrant community along Nolensville and Murfreesboro Pikes. Prado of course also designed and led the production of the mosaic that adorns the front of Casa Azafrán, Migration. The coins for this mural were collected at Casa Azafrán, in the community and even at the airport! This is a bit of an art hotspot. The mosaic faces the giant photo mural from Oz Arts Inside/Out, Part 1. The mural featured in Hidden away is really hidden now, as there is a concrete wall in front of it, but it can still be glimpsed from the side and through some holes in the wall. And there’s a mural on that concrete wall I’ll feature later, as well as some mobile giant snails from Cracking Art and a colorful block arrangement for kids to play on. All of it will probably be on the blog eventually.
Located at 2187 Nolensville Pike. There is parking in front and behind Casa Azafrán.
The folks who own East Nashville BBQ Company may or may not have the very most colorful BBQ shack around, but they are certainly contenders. Many hands went into this mural, which is how artist Andee Rudloff often does things. In this project and others, such as the one featured in Down by the river, she contracted with a group of people who collaborated with her on both the design and the production. Here, the main collaborators were the children and families of the Boys and Girls Club of Middle Tennesee (Cleveland Park Club) and the Cleaveland Park Neighborhood Association. It’s also a Nashville Metro Arts Commision project, which helped fund it through its THRIVE Community Arts Project. There were other sponsors as well – check the list of names on the sign that’s featured in the slideshow below. As is often true with Rudloff’s collaborative works, there’s a video showing how the mural came together (the video is by Stacey Irvin). It shows Rudloff brainstorming with the kids, then painting the black and white outline of the mural, followed by the community pitching in to fill in the white spaces with color. It all came together June 2, 2016, and continues as a colorful marker of community spirit. Added bonus: There’s a couple of pigs out front – see the slideshow.
Located at 829 Lischey Avenue, at the southeast corner of Lischey and Cleveland Street. The mural faces west towards Lischey. There is parking at the BBQ place and some street parking on Lischey. Load up on pork and enjoy the art!
It is fantastic that there is dedicated funding to produce works of public art in Nashville. Unsurprisingly, Metro Arts sometimes comes under fire for the projects it funds, because everyone is an art critic, and for perhaps being too focused on downtown. But they’ve also funded a lot of work that has become important to the fabric of this community. It’s hard to imagine the riverfront without the Ghost Ballet, otherwise known as that weird roller-coaster to nowhere. One of the more innovative things Metro Arts has funded is a number of funky bike racks around town, though I rarely see bikes attached to them. This one, called “Bee Cycle,” (November 2016) is the work of Randy Purcell, a local artist. The work itself was inspired in part because Purcell uses beeswax in his paintings. Purcell says the rack is his first work of public art. Here’s hoping he does more!
Located at the Hadley Park & Community Center at 1037 28th Ave North. The bike rack is located on the south side of the building. If you enter the park from 28th street entrance, the rack is right off the traffic circle on the left side of the building, near the B-Cycle station. Ah, the name of the rack is also a pun! There is parking at the community center and on nearby streets.
Down at the very southern end of Dickerson, there is a herd of buffalo. Sure, they’re bronze, but still, we’ve got buffalo! Installed in 2009 as part of a joint Metropolitan Development and Housing Agency and Tennessee Department of Transportation funded revitalization project for Dickerson Pike, they harken back to the road’s origin as a trail used by buffalo to get to nearby salt licks. They are certainly an eye-catching addition to the neighborhood. The artist is apparently a person or company named “Cembrock,” but I can find no more information on that.
Located on the traffic island just south of the intersection of Dickerson and Grace, where First Street and Dickerson merge. Access is tricky, as you have to cross Dickerson on foot to get to the island. The nearest parking is at the Nia House Montessori school, but when school’s in session you’ll need to park at the convenience store at the intersection with Grace.
Usually, I would use photos taken in the light of day, but with Thomas Sayre’s “Citizen,” that would miss a lot of the charm, as they are lit up at night. This is “official” public art (it’s a Metro project), but not stuffy, for the statues are interactive, with giant cranks at their bases you can use to turn the statues around and point them where you please. Apparently, there were long lines back when they were installed in 2010, but they are more lonesome now, so go give them a spin!
Located in the unimaginatively named Public Square in front of City Hall at the corner of Third and Union, overlooking the river. This is downtown, so good luck with parking. Bring money! Make like a tourist and get a selfie with them as part of a Lower Broad crawl.
It’s Labor Day, so I’m going to be lazy and use this photo that popped up in my Facebook memories from last year. This is official Metro-funded public art, part of a series of works called “Watermarks” commissioned in the aftermath of the 2010 flood. “Tool Fire” (2013), situated on the Shelby Park Greenway near the pedestrian bridge, commemorates the volunteers who helped clean out homes, and the tools they would pile at the street for other volunteers who came later, according to the artist, Christopher Fennell. Not everyone is a fan, but for anyone climbing up the spiral to the bridge, it means you made it to the top, and it’s a nice place to sit.
Located just steps to the west of the Cumberland River Pedestrian Bridge, on the Shelby Bottoms (west) side. The closest parking is on the other side of the river, at the trailhead on Two Rivers Parkway at Wave Country Wave Pool and the Two Rivers Skatepark. Or rent a bike at Shelby Park and head up the greenway and give that hill a try!
You know what doesn’t work well when sweat from your forehead pours on it? iPhones don’t. I took these on a July bike ride, and it wasn’t easy!
There is both official and unofficial public art along Nashville’s greenways; this falls in the official category. And the recent category, too, as these murals went up on both ends of the Two Rivers Tunnel in May. Dante Bard and Troy Duffproduced these murals as part of Metro Arts THRIVE project. The one above is at the east end of the tunnel and is Duff’s work; Bard’s work below is on the west end.
Located on the stretch of greenway that links the Shelby Bottoms greenway to the Stone River Greenway, under the Briley Parkway between the Two Rivers water park and the Cumberland pedestrian bridge. Park at the water park and walk north up the greenway, or grab a bike and zip past them as you fly by. Just remember to yield to pedestrians! “On your left!”