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nashville public art

Nashville murals, street art, graffiti, signs, sculptures and more

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Signs

Tatuajes Raza

Most people think of the Nolensville Road corridor and Antioch as the main areas to find Latino-owned businesses, but there’s also a cluster in Madison. So it’s no surprise to find a Latino-themed tattoo parlor there, Tatuajes Raza. The black-and-grey storefront on Gallatin is the work of musician and artist Ghosty Lowks (he has a more art-themed page called “The Phantom Collection“).

The mural contains a stylized image of one of the more enduring symbols of Mexico, the Aztec Sun Stone. It is known to many as the “Aztec Calendar Stone,” but while it does have the names of the days and months on it, it is not really a calendar, but a representation of the largest cycles of time in Aztec thought, great ages known as “Suns.” At the end of each, the Sun would be destroyed and and a new Sun born. They saw themselves as living under the Fifth Sun. (Did I mention I’m an historian of Latin America?)

“Raza” as part of the store’s name is also significant. It’s a reference to the idea of “la raza cósmica,” the cosmic race, an idea of José Vasconselos. He was an education minister in the aftermath of the Mexican Revolution and thought in Mexico, where people from all over the world were found, that the strengths of all these peoples combined created a newer, stronger people. It has become an important idea in Mexican national identity.

We see various people in the mural. There’s an an ice cream vendor with the tattoo “familia” on his arm, but that’s a tattoo needle, not an ice cream cone on his cart. The eyeless face above him seems to have a Nashville skyline for a headdress.

Ice Cream Man mural Nashville street art

There are more eyeless faces, a woman with a shotgun, a mustachioed clown and another Aztec image that might be Quetzalcoatl, the feathered serpent god. “Chuy” and “Buda,” as best I know, are nicknames of the owner. (And yes, that’s me just barely reflected in the doorway.)

Located at 322 Gallatin Pike South, a few blocks south of Old Hickory Boulevard. The mural faces Gallatin. This is a tricky area to park. There is some parking in front of Tatuajes Raza and neighboring businesses. Otherwise, you might need to do some walking.

16 Bit Bar+Arcade

Not all bars in Nashville are honky-tonks. At least one is an arcade. It’s natural that in a tourist town like Nashville, with so many bars, business owners will try all kinds of things to grab our entertainment dollars. 16 Bit Bar+Arcade in Nashville is actually part of a small chain. It draws in customers with its collection of 80s and 90s arcade video games and pinball machines.

It’s appropriate then that it be decorated with a mural based on one of the great classics of the genre, Donkey Kong. Donkey Kong and Princess Pauline are seen at the top, but there’s no sign of Mario. He was probably crushed by one of the barrels of beer and whiskey Kong has. Pauline yells “Get over here,” 16 Bit’s catch phrase, not the “Help” she does in the game. The steel piers Mario had to climb now spell out “NASH TENN.” As the mural is unsigned, it took a little research to find the creators, but it turns out to be a production of Eastside Murals, one of the most prolific mural teams in Nashville.

As of this writing, there’s a Netflix documentary series available, High Score, which includes a long discussion of Donkey Kong’s history. I enjoyed it, though one reviewer found it heavy on nostalgia, weak on real reporting.

Located at 1102 Grundy Street, just as it says on the mural, at the corner of 11th Avenue North. The mural faces Comers Alley, on the west side of the building, away from downtown. This is the Gulch, so not a lot of free parking, but there is some free street parking west of 11th. Paid parking is also available.

Keep Dreaming

One thing the pandemic has not done is slow down the mural movement in Nashville. As a result, I’m getting even farther behind in cataloguing all that is out there. This trippy mural at Honytree Meadery is only a few months old, and it’s the work of Kim Radford, who over the last year or so has become quite prolific and is responsible for a lot of the new murals.

This one has a bit of backstory. Mindmilk is a mental wellness brand owned by Centric Creative Group, itself a brand-marketing agency. Back in September, Creative Centric sponsored a mural scavenger hunt. They even partnered with ROAR to create augmented reality experiences for each mural through the ROAR app, and this mural was part of the hunt. Maybe some of the participants also used this blog to help them find murals? Maybe.

Mindmilk includes dream interpretation as part of its services, and Radford’s mural seems very much to come from the world of dreams, and tells us to “Keep Dreaming.” Of course, this is also a meadery, and honey bees feature in the mural, even wrapping around the corner towards Honeytree’s front door.

Mindmilk Mural Nashville street art
Mindmilk Bees mural Nashville street art

This mural replaces a previous mural on this spot I never blogged about. It was a mural promoting Nashville SC, our local Major League Soccer team. While they promoted the mural on their social media, I was never able to track down the artist. This is my regular plea to businesses. Muralists are not simply journeyman workers, and acknowledging them can actually help promote your business, as those people who follow the artist will become aware of your business and possibly think better of it. I think the biz speak for that is “synergy.”

Nashville Soccer Mural street art

Located at 918 Woodland Street. The mural is on the east side of the building, facing away from downtown. Honeytree has some limited parking, and you can probably get away with a short stay in the lot in front of the mural. Grab some mead and enjoy the art!

House of Blues Fences of Fame, Part 4

Travelling clockwise around Columbine Park in Berry Hill, coming from Bransford Avenue, this is the fourth fence you come to (on the outer part of the loop). It’s also the first one that’s on what used to be House of Blues property. I say used to be, because when I started this series, I did not realize that the whole complex that had once been House of Blues was bought in January, 2019 by Universal Music Group. (That story has a picture of the artist who created these murals, Scott Guion, working on the first fence I featured in this series.) That of courses raises some concerns about the future of this art, but in the nearly two years they’ve owned the complex, UMG has taken no steps to remove any of it.

The artists featured on this fence are an eclectic group, as all of them are. Unlike the most recent fence in this series, some of these artists are still alive, namely Marty Stuart, Tanya Tucker, and the members of Outkast, André 3000 and Big Boi. The remainder are deceased and included Tom Petty, Fats Domino and Janis Joplin. As with the other fences, Guion is a little inconsistent about what age he shows these artists, even accounting for the ones who dies prematurely.

Faces mural fence Nashville street art
Marty Stuart, Tom Petty, Big Boi and André 3000 of Outkast

There’s a also a sign attached to this fence, with the slogan “I found my thrill in Berry Hill,” and obvious reference to Domino’s signature song, “Blueberry Hill.”

Berry Hill Sign Nashville street art
Berry Hill Sign Nashville street art

The art in the background is also by Guion. On the picture at the top of this post you can see a portrait of B.B. King on a wall which I’ll feature as a separate post later. Along the driveway that heads to the back of the building there are other murals, which I shot from the entrance to the driveway.

Presumably there’s more work in that parking lot, but you might want permission before going back there.

See Part 1 of this series for why I’m just now writing about these murals. Spoiler alert: You can finally park in Berry Hill.

Located at 518 East Iris Drive. The mural faces south towards the park. Parking is available around the park.

Part 1 Part 2 Part 3 Part 5 Part 6 Part 7 Part 8 Part 9 Part 10

Nelson’s Green Brier Distillery

Around the corner from one of the more spectacular murals in town is the façade of Nelson’s Green Brier Distillery. Nelson’s is a revival of a family business first founded in Nashville after the Civil War by Charles Nelson. It became one of the only high-volume distilleries in Tennessee, and was distributed widely until the state of Tennessee instituted prohibition in 1909. A hundred years later, two of Nelson’s grandsons restarted the business in Marathon Village. You can read about its history here.

The central logo is based on a logo found on bottles from the original business, reading “Green Brier Tennessee” instead of “Nelson’s Green Brier.” (The name comes from the location of the original distillery in Greenbrier, TN). The sign, or really collection of signs, is by Bryan Deese, a prolific Nashville muralist. Like a lot of signs, it has no signature, but Nelson’s credits him on their Instagram page, and includes a couple of shots of him working on it, one which makes clear he had an assistant. Not every business does that, credit sign makers (and sometime not even muralists) so good for Nelson’s.

An odd aside – as I was leaving from shooting (and buying a bottle!) a truck pulling a large flat-bed trailer festooned with flags pulled up. On the trailer was a preacher, railing into his phone (shooting a video) against the evils of alcohol and the audacity of Nelson’s having its doors wide open (not the ones in the picture). They were open for COVID safety, presumably. The spirit of Prohibition than fist shut down Nelson’s is still around.

Located at 1414 Clinton Street, at the corner with 16th Avenue North. There is some street parking on Clinton, and some nearby paid lots.

House of Blues Fences of Fame, Part 3

Travelling clockwise around Columbine Park in Berry Hill, coming from Bransford Avenue, the third fence you come to is one of the youngest. I know from happenstance that the artist, Scott Guion, must have been working on it October, 2017, because I have a photo of from thent where the sign portion (see the photo at the bottom if the post) is white, the sign not yet painted. It’s one of several around the park sponsored by the Nashville branch of the House of Blues. The House of Blues calls them the “Wall of Fame,” but for obvious reasons, I went with “fences.”

BH Faces mural Nashville street art
Bob Marley, Minnie Pearl, Amy Winehouse

This fence is not as dense as the first two, featuring only six artists. It’s also a bit more consistent with ages, showing all of them in the middle/leat-middle stages of their careers, expect of course for Amy Winehouse, who of died young of alcohol positioning. All of them are icons of their genres. We see our first artist on the fences who is not primarily known for music, but rather comedy, Minnie Pearl. Bob Marley, James Brown, Prince, and Waylon Jennings round out an extraordinary list. One thing that is different about this fence from the fist two, it’s the first of the fences I’ve featured in which all of the artists are dead.

BH Faces mural Nashville street art
James Brown, Prince, Waylon Jennings

The blue house in the back was also decorated by Guion, as was the bit of fence in the back ground you can see in the picture at the bottom.

BH Faces Sign mural Nashville street art

See Part 1 of this series for why I’m just now writing about these murals. Spoiler alert: You can finally park in Berry Hill.

Located at 520 East Iris Drive. The mural faces south towards the park. Parking is available around the park.

Part 1 Part 2 Part 4 Part 5 Part 6 Part 7 Part 8 Part 9

Dolly at The Five Spot

This mural of Dolly Parton by Kim Radford is only a little more than a month old, but’s already made quite a splash. Lots of people have posted it to social media, and the Tennessean did a story about it. The pandemic has probably stifled its reach a bit, but pandemics come and go, Dolly is forever.

The mural came about in part out of social media. Radford had a deal to do a similar mural for a downtown honky-tonk, but when that fell through, she turned to social media, and soon The Five Spot, an East Nashville music venue near Five Points, offered its wall. Like a lot of local music venues, The Five Spot remains closed. If you want to help them out, they have a GoFundMe account. As of publication, they are at $23,000 of a $75,000 goal.

Right when Radford was doing the mural, Billboard magazine published an interview with Parton in which she expressed support for Black Lives Matter.

“I understand people having to make themselves known and felt and seen,” she says. “And of course Black lives matter. Do we think our little white asses are the only ones that matter? No!”

Radford added part of the quote to the mural, starting with “of course,” and substituting Parton’s signature butterflies for the S’s in “ass.”

Kim Radford, by the way, only got really active doing outdoor murals in Nashville about a year ago or so. Since then, she’s become one of the more prolific of our local artists. In particular, she’s done a series of pieces for Grimey’s New and Pre-Loved Music I hope to feature soon.

This mural is on my street, and I might have put it up sooner, except that small parking lot in front of it is often full. You might have your best luck early in the morning.

Located at 1006 Forrest Avenue. The mural faces east, away from downtown and nearby Gallatin Road. There is street parking on the 1100 block of Forrest and other streets nearby.

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