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nashville public art

Nashville murals, street art, graffiti, signs, sculptures and more

Kobe Bryant (Nolensville Pike)

Since the death of Kobe Bryant, at least three memorial murals have appeared in Nashville honoring him. I’ve already written about one by JamersonSGC, which I featured in Strength and mourning. Another, which I’ll feature soon, is found on 51st Ave North at This Red Bicycle Coffee. It is interesting that of all the icons that have been lost of late, Bryant has gotten this much artistic attention.

The one above is on Nolensville Pike at the building that houses La Sierra Western Wear. It is by José Fernando Vargas, who has been on this blog many times before. He’s one of the principal muralists who decorates Latino-owned businesses in town. Unlike Jamerson’s mural, which features a young Bryant alone, this mural also includes Bryant’s daughter Gianna, as well as the names of all the victims of the helicopter crash that killed them. As well, the mural includes the jerseys Bryant had in his career, an action shot of Bryant dunking, and one his quotes. A golden basketball rim stands in as a halo over Bryant’s head.

Long ago, this wall had a mural of graffiti art I featured in The Vape USA Gallery, which was painted over some time ago.

Located at 3807 Nolensville Pike, a few hundred yards south of the entrance to the Nashville Zoo at Grassmere. This mural faces north towards downtown. Parking is available.

Love, Nashville

In times like this, sometimes a simple message is the best. This mural, which is the product of Madeline Lederman, is just a few weeks old. It sits on a building behind the Charlotte Avenue post office, a building which at times has attracted graffiti. Lederman is a teenager, and I’m pretty sure she’s the second youngest artist I’ve featured on this blog, after Drew T. Morrison, who I wrote about in The drops of Saint Stephen. There’s definitely a Sixties vibe to Lederman’s piece, which is totally in keeping with the one-word message “LOVE,” something that shows up a lot in Sixties iconography. Lederman was recently featured in WPLN’s “Dispatches from Quarantine” series, where she expressed her struggles with separation from school and friends. Here at least she has found a creative outlet. This appears to be Lederman’s first mural. Hopefully, we’ll be seeing more work from her.

Located at 4414 Park Avenue. That’s the technical address, as this is the back side of a storage building belonging to the house with that address. However, to view the mural, you need to go to the US Post Office at 4501 Charlotte Avenue. The mural is across an alley at the rear of the post office. Parking is available at the post office, and the mural is quite visible from the parking lot.

Losers and the Pandemic

A few weeks ago, I wrote about a mural for the downtown branch of  Loser’s Bar and Grill done by Manuel Fuentes. That mural, on the south side of the building, was a great example of the murals in town specifically designed for people to stand in front and get their picture taken. I wrote about it at the beginning of the shutdown and commented on the irony of it not really being used at the time. Here we are about three months later, and the lockdown has eased, even as cases are rising. There are restrictions on venues like Losers, and their downtown branch remains closed. From their Facebook page, it appears their Midtown branch is open on reduced capacity and is featuring live music. Interestingly, they advertise that both locations have new UV-light systems in their airflow systems to reduce contaminants. Welcome to the emerging new normal. To their credit, they aren’t one of the places cited for violating the current pandemic rules. Someday, this will all be over.

Located at 111 Fourth Avenue South. The mural is on the north side of the building, at the far end of the parking lot if you are coming from 4th. It faces towards Broadway. This is downtown – lots of parking, almost none of it free.

 

Lips

I wanted to call this blog post Lipps, Inc., but that’s an actual thing. Every once in a while I have to write about one of those murals that is in a billion Instagram posts, and everyone has seen, so it’s news to no one, and this is one of those times. The motto of the blog is “No art left behind” after all, and I am trying to catalog everything. This is yet another Eastside Murals piece, the versatile team that has been signing their work “Out East Boys” for a while. The design is by Donald Robertson, which explains the “Donald” written on the edge of the mural. On his Instagram page, you can see that while he doesn’t just do lips, they are a major theme in his work. Also, the “Donald” on the mural looks like his regular signature for his works, so I imagine he did that part himself.

The building is on the side of a UAL outlet, otherwise known as  United Apparel Liquidators, in Hillsboro Village. They are also found on West End, where I wrote about a bold version of their logo painted on the back wall of the building. There’s a little “ShopUAL” Instagram logo on the large window at the street end of the mural.

I photographed this mural on one of the first days of Nashville’s shutdown when there were still a few tourists around. Two women were taking their pictures in front of it and thought I was trying to do the same thing. They wanted me to give them my phone so they could take my picture in front of it for me. I politely declined, and at this point in time, I still would.

Lips Mural Nashville street art

Located at 1814 21st Avenue South. The mural faces an alley on the north side of the building, across from Fido. This is Hillsboro Village, so a fair amount of parking, almost none of it free. In non-COVID times, parking at peak hours can be very hard.

Thistle Farms

For years, drivers headed east on Charlotte from the western suburbs were greeted by a mural of flowers on one wall of Thistle Farms, or more precisely, their cafe. This one isn’t it. There was another one here for years that I never shot because there were always, always cars in front of it. But more recently, Michael Cooper of Murals and More produced a new mural for Thistle Farms that I did manage to shoot without cars. The flowers you see are of course thistles, the organization’s namesake. The best way to understand what Thistle Farms does is to read their mission statement.

Thistle Farms is a nonprofit social enterprise dedicated to helping women survivors recover and heal from prostitution, trafficking, and addiction. We do this by providing a safe place to live, a meaningful job, and a lifelong sisterhood of support.

They started by making candles, and now provide clothing, jewelry, home goods, and, at their Charlotte location, a nice place for lunch. The goods are all made by the women in Thistle Farm’s healing and recovery program and the proceeds support the mission. Thistle Farms was founded over 20 years ago by the Episcopalian priest  Becca Stevens, who deservedly is one of Nashville’s most honored citizens, including Nashvillian and Tennessean of the Year, a White House Champion of Change and a CNN Hero. All of this is a measure of how important the work of Thistle Farms is. So buy a candle, get a sandwich, make a donation, whatever you want to do to help.

Thistle Farms Sign

Located at 5122 Charlotte Pike. The mural is on the west side of the building, facing 52nd Avenue North. There’s parking in front of the mural and some street parking is available.

 

Little Jimmy Dickens

As he was a long-time stalwart of the Grand Ole Opry, it makes sense to find a life-size sculpture of Little Jimmy Dickens right in the center of the plaza in front of the entrance to the Ryman Auditorium, the Opry’s long-time former home. It’s actually fairly new. It and a statue of Bill Monroe nearby were unveiled on June 7, 2017. Both are by the Mississippi sculptor Ben Watts. (I’ll write about the Monroe statue in a later post.) Brad Paisley, who cites Dickens as an important influence, helped dedicate the statue, noting Dickens’s hard work and commitment to entertaining his audiences. Dickens, who died at 94 on January 2, 2015, had been on stage at the Opry just days before.

Besides his diminutive size and love of funny novelty songs, Dickens was also an early pioneer of the rhinestone style, which West has captured in bronze. Dickens was also a Shriner, and consistently wore a Shriner symbol on his cowboy hats, also seen in West’s work.

The Ryman has announced plans to work with Watts again to produce more statues of iconic country music figures, so expect to see even more bronzes at the Ryman in the coming years.

As you can see in the slideshow below, this is another in a series of works that has a helpful suggestion as to where the photographer should stand for your photo with Dickens. The empty plaza in my photos also tells you that I shot this during the pandemic shutdown. Even so, I did have to wait for a small group to finish their pictures first.

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Located at 116 5th Avenue North. That’s the official address of the Ryman, and long ago it was where you entered the building. However, the modern entrance faces the 100 block of 4th Avenue North, about a half-block north of Broadway. That is where you will find the statue. This is downtown – lots of parking, almost none of it free.

Black Lives Matter

It’s no secret that the killing of George Floyd at the hands of Minneapolis police officers has sparked a massive protest movement here in America and around the world. Not surprisingly, it has produced art. Perhaps the most widely shared example is a mural in Minneapolis done by Cadex Herrera, Greta McLain, Xena Goldman, Rachel Breen, Niko Alexander, Maria Javier, and Pablo Helm Hernandez. While I would not be surprised if there are others in Nashville, this one at the damaged Jerry’s Artarama on Main (above) and a similar one at Cobra Bar on Gallatin are the only ones I know of in Nashville at this time. I suspect others will emerge if they haven’t already.

This one is obviously temporary, as it is painted on boards covering a window blown out by the March 3rd tornado. Of course, my last post was about another mural on Jerry’s Artarama, but I feel this one is timely, and as construction is already getting started next door and a large disposal unit you see at construction sites has appeared just to the side of this mural, I thought it important to document it now. I also try really hard to credit artists, but this one is unsigned, and I suspect it is anonymous for a reason.

The happy-style letters belie the seriousness of the topic at hand. In my main work, I am a history professor, not an art blogger. I do not know why this particular incident has generated the enormous energy and the wave of protests that it has, while others like it before did not. My future colleagues will spend a lot of time sorting that out. Some reasons seem obvious, but one thing you learn in history, the obvious answers aren’t always right, or they may not be as important as they look. What history-minded people like me can do is document everything, so the full story can eventually be told. Already, the Smithsonian is collecting signs plastered to the fence around the White House so they will be available to researchers and the public in the future.

Below is a shot giving you some idea of how the piece fits with everything else on the wall. I took it at this odd angle because of the placement of the disposal unit. In it, you see murals by Andee Rudloff and Herb Williams, and the remnants of an older mural by Hannah Holgate and Marshall Hall that was severely damaged by the tornado.

BLM mural sign Nashville street art

Located at 713 Main Street. For now, the parking lot in front of Jerry’s Artarama is available, but once this becomes a construction site, that’s unlikely. The nearest street parking is towards downtown on Seventh Street North.

 

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