Continuity and change – it’s one of the most honored, if not hoary ideas in the study of history, the idea that as much as some things change, there are also things that remain consistent. As this Nashville Scene article notes, the little cinderblock building as 726C McFerrin has been host to a series of small joints that served up hot chicken, from The Birdhouse to Ruby Ann’s and now Slow Burn. The East Nashville spot is Slow Burn’s second, the original is up in Madison. The building, as you can see, has a mural for a sign, a mural that practically comes with its own hashtags, with shoutouts to local colleges and other institutions. It’s by an artist who goes simply by Cora, at least in her life as a professional artist.
Like every restaurant right now, Slow Burn is takeout only (and only cards, no cash) to minimize the danger of spreading COVID-19. These are difficult times for our local restaurants. If you are going to get takeout, do what you can to keep out local places afloat.
Located at 726C McFerrin Avenue, near the corner with Cleaveland Street. There is limited parking at this complex.
About a year and a half ago, the California artist Skye Walker came through town and did three murals as part of his Sea2Sea Mural Tour, which you can follow on his Instagram page. (Check the hashtag #sea2seamuraltour.) The first one, featured in Keep a Breast, is on the Hair World Beauty Supply at 2503 Gallatin and promotes breast cancer awareness and testing. The second, Gaia, is part of a beautification project by merchants and residents of 2nd and 3rd Avenues North. This one, which Walker calls “Terra-Drift,” found at the Hair World at 500 Gallatin, came about because the owner of Hair World liked the Keep a Breast mural so much, he commissioned another mural for the second location. The picture above actually crops the mural, which is very long and thin, and hard to photograph because of obstacles, as you can see below. The artist has a nice drone shot that takes it all in on his Instagram page.
In some way, this is a tornado-related post. Hair World stays busy, and there are always cars parked in this lot and along the length of the mural. But the store lost power for a few days, and I was able to shoot it car-free for once. This mural lies only about four blocks north of Five Points, where there was so much damage from the storm.
Located at 500 Gallatin Avenue, at the corner with Mansfield Street. The mural is on the north side of the building. For now, there is a large parking lot available, but the closed bank that goes with the parking lot is for sale, so the future of the lot is uncertain. Street parking is available nearby.
This may not seem like another tornado-related blog post, but it is. For one, Butcher & Bee, while not particularly damaged, was one of the Main Street businesses shut down by the storm. They did, however, reopen yesterday, with a limited evening menu. No word when they’ll be back to full-time business, but every opening, every repaired roof, is a giant leap forward. But the picture itself was made possible by the storm. I’d wanted to feature the Butcher & Bee sign, made by I Saw the Sign, for some time. But there were often cars parked in front of it, and more importantly, to get the best picture, you kind of need to stand in the middle of Main Street. Well, last week, you could do that! So here it is in all its glory. Look close, and you can see Butcher&Bee’s logo, a bee with two butcher knives.
The reality is, Main Street, and the rest of the places damaged by the storm, have a long road ahead. Greko Greek Street Food opened as well, but other damaged businesses on Main won’t be open for months – if ever. Something else will take their place, but the fabric of Main will always be changed.
Located at 902 Main Street. Parking is tough here in the best of times, and there isn’t much nearby street parking, so you may need to walk a few blocks.
Well, that was fast. The tornado came in the very early hours of Tuesday morning. By late afternoon Sunday, Nashville’s artists had responded. Of course, every artist needs a sponsor, and they found one in Mathew Charette. Charette is the owner of Drifters, Beyond the Edge, and Boston Commons and the building that housed the Gold Club Electric tattoo parlor. All three restaurants were damaged, and the Gold Club Electric building was destroyed. But Charette felt the need to
“Shake my fist” at this storm and say “is that all you got storm, you don’t know who you are messing with, we are East Nashville Five Points and we are Nashville Strong”
Now about the photo. I’ve gotten fairly picky about photos on this blog – no shadows, no backlighting, no cars in front. A fence in front? Clipped off signatures? No way! But this morning, when I tried to photograph it, the police wouldn’t let me near, as the whole area was cleared for NES workers who were working to restore power. However, Officer Eric Burford of the MNPD was kind enough to take my phone and walk down to the site and shoot a quick photo for me. Apparently, he had to be quick because NES workers were moving some heavy equipment nearby. I think the picture is completely appropriate. Nashville is under repair right now. A lot is broken, a lot is incomplete. No one has time to complain about inconveniences, but everyone tries to help everyone else. That’s the spirit of Nashville Strong.
Located at 1008A Woodland Street. Right now, you can’t park nearby or even walk up there, at least while NES crews are at work, but in the future, the usual Five Points rules apply. Paid parking if you don’t want to walk, or street parking if you can walk two or three blocks.
In Nashville, and communities to the east, homes and businesses have been shattered and destroyed, lives lost. Much of what has been broken will take months to rebuild, if ever. Families without homes, employees without paychecks. In the face of that, what’s a little art?
In the last few years, there has been a mural renaissance in Nashville, and it’s been my honor to chronicle it. Arguably, it really started in East Nashville over four years ago, with Chamber East doing much to cajole eastside businesses to take a chance on art. And many ultimately did, so many that the east side, from Fifth and Main to well up Gallatin Road, became the most art dense neighborhood in Nashville. Art is part of this neighborhood’s identity. So when a tornado plowed down Main and through Five Points and beyond very early Tuesday morning, it inevitably took a lot of art with it.
Other losses attracted fewer news cameras, but were still quite devastating. This pile of painted concrete blocks is all that’s left of the murals that once wrapped around Hunt Supply Co., a skateboard gear supplier whose building completely collapsed.
Before the storm, it looked like this:
Hunt Supply and Gold Electric Tattoo across the alley are something of neighborhood secrets. You need to know to walk up the alley behind Beyond the Edge to find them, or what’s left of them now. The front side of Gold Electric once had a really fun mural, now shattered in the wake of the storm.
I never blogged about it, nor learned the artist, because I was waiting to get a “clean” picture of the other Gold Electric mural, a memorial to founder Mike Fite. Employee cars were always parked in front of it. Sadly, on the night of the tornado, one was still there and was seriously damaged.
Not so secret was the “Do the Dew” mural by Eastside Murals on the old Family Dollar, just steps away from Gold Electric Tattoo. The building was probably slated for demolition and “mixed-use” development, but it was still a shock to see such a bright and colorful wall collapse, along with the rest of the building. Look close at the rubble and you can see a section of the mural.
The alley between Main and Woodland has also been for some time a place filled with art. Almost all of it is by the UH graffiti crew. It included well-madegraffiti tags, trippy caricatures, and even a surreal sky. The surreal sky, which I dubbed “Panda Sky,” had already been damaged by construction, but now just a slip of it is left. The hypnotic “Under Hypnosis,” of which the word “under” has collapsed, is by the artist Sterbo.
One of the most devastating losses is a work that first appeared on this blog in a piece called “A True Survivor.” No, it’s not a mural, but it’s still a work of art that has been part of the eastside’s image for decades. The Weiss Liquor sign crumbled in the storm and with it a lot of history.
Right behind this building is another piece I never got around to blogging about, in part because it had been partially painted over by another piece I’ve only tangentially blogged about, the giant concert mural by Jason Galaz on the back of Crying Wolf. A fence painted by someone who’s signature I never figured out was partially painted over with a list of concert performers by Galaz. Regardless, the fence collapsed.
A more total loss was a large piece of art about art. The facade of Jerry’s Aratama had been covered in art by Hannah Holgate and Marshall Hall, right down to the parking lot itself. The parking lot art is fine, including the signs, but the facade of the building collapsed, largely destroying the mural.
Two more total losses are found in the alley behind Smith and Lentz Brewing. There was a lovely, bizarre fence by Andee Rudloff and Max Grimm that belonged to the house behind Smith and Lentz. Only a single post remained when I checked on it Wednesday. And on the backside of Smith and Lentz was another Eastside Murals piece I never blogged about, I think because it didn’t seem too public behind the bar’s fence, now ripped down by the storm. You can see what it looked like intact on Eastside’s Instagram page.
The featured mural of the eagle at the start of this post is by Kim Radford and lies on the east wall of Elite Bonding. I never got around to writing about it because I was saving it for a patriotic holiday. (While it’s relatively intact, the work Radford did on the other side of the building is largely gone, the wall having collapsed. Here’s what the eagle looked like undamaged.) I suppose there’s a lesson to be learned about impermanence and not assuming everything will always be what you expect. Another example of this is the East Nashville “EN” murals, which are sponsored by Chamber East. I’ve never put one on the blog for some reason. The one by Troy Duff at Burger Up is intact, but given the state of the building, it’s hard to say if it will last.
Tuesday, after the storm, I had more visitors to this site than I’m used to. People wanted to know what it all used to look like, to see what had been lost, to remember what things that had been broken looked like when they were intact. If you want to help artists who have been hurt by the storm, start here. Here is a page with more general information about volunteering and donating for tornado relief.
East Nashville will rebuild, it will prosper, thought scars will remain. And I predict that Nashville’s artists will be in the thick of it.
There’s no missing the building’s history. Besides very obviously looking like a church, there are the magnificent stained glass windows. I include the outdoor views here, but off course they are even more spectacular from the inside. The hotel also honors the spirit of the building through its Rooms for Rooms program, where a portion of the hotel’s proceeds is given to organizations that assist the homeless.
Located at 819 Russell Street, at the corner with 9th Street South. The mural faces 9th, while the stained glass windows are visible from both 9th and Russell. The historic plaque is by the entrance. There is street parking in this neighborhood. The lot across the street from the mural is hotel parking.
Back in April 2018, there was a major mural art show put on by a consortium of artists that called themselves Impermanent. An old warehouse in The Nations was completely covered in murals. The name was chosen appropriately, as those murals have since been painted over. More recently, this giant image of their name appeared on the side of Bongo East at Five Points, courtesy of the artist Sterbo. It’s appropriate here too, as things always seem to be changing in Five Points. That white building in the background is the boutique Vandyke Hotel, where before a meat-and-three had been for years. The hotel’s construction destroyed or hid three murals on the other side of Bongo East.
And “impermanent” is appropriate for another reason. This wall once held, briefly, an installation of the Inside/Out portrait project developed by French artist JR and sponsored by OZ Arts Nashville. While I blogged about the other installations in this series, I never got around to writing about the Bongo East version, but here is what it looked like.
The small image in the middle of the Impermanent mural is a triple version of Sterbo’s logo.
Located at 107 11th Street South, just off Five Points. It faces a large yard on the south side of the building. This is Five Points, so plenty of paid parking, as well as street parking, but for that, you may have to walk a block or two depending on the time of day.
Almost a year ago (I took these pictures last March) a set of UH crew tags replaced the UH crew tags that once been on the backside of Main Street Liquors and Main Street Market, and which I featured in Back in the alley. The style of these new tags is distinct from the earlier ones, but UH is a versatile crew. This alley and nearby spaces feature several examples of their work. Sadly, one of their best, a trippy mural which I featured in Panda sky, which was on the back of what used to be Make Nashville and is just steps from the tags above, has recently been largely destroyed in a renovation project to its building, 947 Woodland. Change is a constant, and that’s certainly true for outdoor art in Nashville. One change – the building these tags are on used to also include a repair shop called Transmission Exchange. Now it’s been replaced with Crazy Gnome Brewery. The Five Points area used to be the place in Nashville you got your car repaired. That legacy is almost gone.
Usually, if I’m having trouble researching an artwork, it’s because I don’t know who the artist is. But the signature for Eastside Murals is very clear here. No, what took some digging was figuring out what Eastside’s client, Altru Creative, actually does. Check out that website. Music business, check! But what they do in the business isn’t all that clear, even if you read all their blog posts. However, their Facebook page is more helpful, as they’ve checked the categories Advertising Agency, Media Agency, and Music Production Studio on the “About” section. Those categories would seem to include promoting music shows and festivals while working primarily in the worlds of house, electronica, dance, hip-hop, and R&B. That triangle in the middle is their logo, and their name is tattoed on the DJ’s hand, so it seems this counts as a sign as well as a mural. It’s Nashville, so of course, there’s an image of the Batman Building, but also a crane with a wrecking ball, which is also very much a symbol of today’s Nashville.
Located at 1036 West Kirkland Avenue. The mural faces the road. There is a large gravel parking lot, and street parking is available.