If you think about it and are a little generous, you can say that the twisted straw on this mural spells out the word “urban.” Which makes sense, since this mural sits on the side of the Gallatin Road version of a local juice bar chain called The Urban Juicer. If you look at that website, you’ll see long, super twisty straws are part of their branding, so this colorful version hinting at all the different kinds of juice you can get fits right in. It’s by David Wright of Manecoon Sign Company, who rarely signs his work, but if you peruse that Instagram account, you’ll see that his art is all over town. The picture above doesn’t capture the whole work, as there is also a The Urban Juicer logo and slogan off to the side, but that would have made a bad header photo for this post (see below). Maybe give The Urban Juicer a try – they were voted Best Juice Bar in the Nashville Scene’s Best of Nashville poll in 2019.
Located at 1009 Gallatin Ave. The mural is on the south side of the building. Note that the parking lot it faces is not The Urban Juicer’s parking lot. There’s is in front of and behind their building. There is also street parking on Sharpe Avenue, just to the north.
This is a story of a missing mural. I am certain that next to the front door of HOME there was a once small mural that contained music motifs, including a saxophone, that I both photographed and posted about. I can find no evidence of either. That’s how much art is out there – even stuff I drive by every day I can lose track of. This mural, found on the east side of Center 615, is relatively new – it went in a few months ago – and is by Atlanta artist Kevin Bongang. He’s done at least three other pieces in Nashville in this same colorful style, including one of the Off the Wall murals on Charlotte. As for the host of this mural, HOME stands for “Helping Our Music Evolve,” and it’s a music industry incubator, where music professionals can connect, collaborate, and get access to production facilities, office and rehearsal space. Now if that ain’t modern Nashville, nothing is.
Located at 615 Main Sreet. The mural is on the lower floor on the east side of the building, facing North Seventh Street. Street parking is available on 7th. The mural does face a small parking lot, and there are often cars in front of. Maybe try very early in the morning.
When the building at 912 Main street was torn down (a building I talked about in A few words and then who knows), this part of the east wall of 914 was exposed. It’s the same wall that contains the mural featured in Or you could just watch the video, which is on the long-exposed south part of that wall. It’s a Jack Coyle piece, and I decided to go ahead and put it on the blog because I imagine this space will soon be a construction site. Note also that the clearance of the site at 916 (formerly Holleman Transmission) makes the mural in A few words and then who knows much more visible (I put new photos up), but all the murals here might be threatened, either with destruction or simply being hidden by whatever comes next. For that matter, it 914 is ever town down, the mural featured The cats are loose would be lost, as it’s on the backside. So check all of them out soon, as you may not be able to for long. Call them all endangered art.
Located at 914 Main Street. The mural is on the west side of the building, facing downtown. There are a few spaces in front of 914, though your best bet is probably parking across Main on McFerrin, and there’s a light to help you cross.
Nashville locals know that there’s only one place to get locally made, bean-to-bar chocolate – Olive & Sinclair Chocolate Co. They are widelypraised and, more and more, widely distributed, at least in the Nashville area. And like a lot of local businesses, they have some great art. The large mural was done up as an old-fashioned sign, which fits with their grinding techniques that go back to the early 1900s. It also fits with the history of the building as a furniture maker for many years and before that an H. G. Hill grocery store, a local chain dating back a century that has since largely become a real estate company, tuning their old properties into gold. The mural was designed by Sideshow Sign Co. , whose principal designers are Luck Stockdale and Madeline Westfall, and it was produced by Telicia Lee. Sideshow has designed a lot of signs Nashvillians would be familiar with, such as the CMT sign and the signage for BaristaParlor. Lee’s work is primarily cloth backdrops for photoshoots, and on her Instagram account, you can see a lot of celebrity photos taken in front of her backdrops (and plenty of regular civilians as well). Sideshow is also responsible for the rest of Olive & Sinclair’s branding, such as their signs and their iconic chocolate bar wrappings. The wall with the main mural is also home to a @forbecks Lego Man (It’s to the left of the mural above – see below). Olive & Sinclair is also in the habit of decorating their windows. I’ve included a few examples below, in a couple of which you can see your intrepid blogger’s reflection. I can not recommend Olive & Sinclair enough. If you live in Nashville, you probably already know. If you don’t, put it on your list for your next visit.
Located at 1628 Fatherland Street. The mural faces 17th Street N. There is street parking available.
I have written many times on this blog about how national chains don’t do local art. They have their centralized branding, and that’s that. Good luck finding any local outdoor art anywhere near Rivergate Mall. It can, in fact, be done, but that example is on a local business. Lately, however, things are changing. Top Golf is a recent example, and of course, the local version of Cracker Barrel’s faux-local chain Holler & Dash has its mural. (Cracker Barrel recently bought Maple Street Biscuit Company and plans to rebrand all of its Holler & Dash sites, so that mural may be in danger.) But Kroger is not pretending to be local and is a much more traditional firm than Top Golf, so a big, giant, neighborhood-celebrating mural for its grand reopening done by local artists, Eastside Murals to be precise, is a significant development. I’ve noted that more and more local companies are seeing outdoor art as part of the cost of doing business in Nashville, and maybe now at least some of the big corporate firms are also beginning to get that message. I’ve also noted that art breeds art, and Main St/Gallatin Pike from 5th Street to Trinity Lane is one of the most art-dense neighborhoods in Nashville. The Eastland Kroger sits right in the middle of that stretch. This particular mural came about as a result of Kroger collaborating with The Studio 208 owner Ashley Segroves, who’s been a strong advocate and promoter of mural art in Nashville for several years. Says Seagroves:
Kroger worked with The Studio 208 and Eastside Murals to collaborate for a uniquely East-side vibe. The coolest part of the story is that one of the artists, Sterling [Goller-Brown], grew up behind me on Eastland Ave. I watched him learn to play drums. Full circle and so fascinating since Kroger wanted to stay as local as possible.
The most obviously local part of the mural, besides the words “East Side” and the train trestle bridge from Shelby Park, is the map. If you are used to maps having north at the top, you’ll be a little confused. North is actually to the left, where the grapefruit and peaches are. On the flipped map below, the red “K” in the center of the red circle is where Eastland Kroger is. The map is a little abstract, so ignore the inconsistencies.
Hopefully, this is a sign of things to come. The visual fabric of Nashville would be greatly improved if more national chains followed Kroger’s example. Also, I must note this Channel 4 story about the Kroger grand reopening. It says only that the mural was done by “a local artist.” Really? It’s actually signed. Please everyone, unless an artist wants to remain anonymous, or is genuinely impossible to identify, credit them for crying out loud.
Located at 711 Gallatin Avenue. The mural is on the south side of the building, facing Eastland Avenue, behind the pharmacy. It’s a grocery store, so lots of parking is available.
A few weeks back I wrote about the mural on the low thin wall on the front side of Warner Arts Magnet Elementary done by Andee Rudloff and the Warner students and staff and noted it was one of two. Well, this is the second one! It’s on the backside of the school. As with the first, Rudloff work-shopped with students before developing her design. As is usual with her community murals, Rudloff did a black-and-white outline of all the images, and she and students and staff worked together to fill in the colors. Surreal scenes of students, teachers, games and a fair amount of whimsy make up the mural. Rudloff has been working with other schools around town, so keep an eye out for her signature style at your local schools and community centers.
Located at 628 Russell Street, on the south side of the building, which faces Fatherland Street. The mural faces east. While the mural can be seen from the street, a closer look requires being on school grounds. You should time your visit for the weekends or after school hours. If more than one or two cars are in the parking lot on the backside of the school, it’s probably open. Parking is available in that lot when school is closed and on nearby streets.
This building at the corner of Main Street and McFerrin has undergone a lot of changes in recent years. It’s been a couple of failed clubs and a boutique clothing store. It’s been completely white and completely black – at which time it served as a canvas for one of Emily Miller’swheatpaste creations. For the last couple of years, it’s been home to a branch of Molly Green, a local fashion line. And perhaps befitting the lively styles that Molly Green sells (and no, that’s not actually the name of a person associated with the fashion line), the building now sports a very colorful mural from Eastside Murals. As I mentioned in my post about their mural for Bearded Iris Brewing, it has a passing resemblance to that mural, with the many dots and the snaking lines. But here those dots and lines are found on a tie-dye canvas, as opposed to the crisp black one at Bearded Iris. The mural actually wraps around the building, so there’s much more than seen in the featured photo (see slide show below). If you look close on the right, you can see a piece of the graffiti art mural featured in A few words and then who knows.
Located at 918 Main Street, at the corner with McFerrin Avenue. There is street parking on McFerrin, more of it on the north side of Main. When Molly Green is open, the west-facing side and the back end of the east side the building often have cars parked in front of them.
When is hidden art not hidden art? When it’s only visible from an alleyway, but that alleyway has a fair amount of foot traffic. Hunt Supply Co. supplies all your skateboarding needs and is found in an alley a couple doors back behind Beyond the Edge in the Five Points district. According to Google Maps, the alley is called “#929 Alley.” As a long-time resident of Lockeland Springs, which borders Five Points, this is news to me. Hunt Supply has been in place for a few years, long enough to acquire multiple stages of art. For some time, there was an Emily Miller wheat-pasted and skateboarding paper wolf just below the sign (see at the bottom). The current work is by David Wright of Manecoon Sign Company and an artist he credits as @_wanted_1 on Instagram (that account has no pictures or information). It features a western scene, which may or may not have much to do with skateboarding, but the wolf at the end mimics Miller’s piece. If you check out the Instagram page of Jason Hunt, the store’s owner, you’ll see a fair amount of wolf imagery, and the shop dog, Harley, has something of wolf-like look. There’s a large sign in the back which was also done by Wright.
Located at 118 South 11th Street D. The “D” means “behind.” There is a path that reaches from 11th to Hunt Supply, but the real front of Hunt Supply, and the main mural, faces the alley. The alley can be reached from the 1000 block Woodland Street between Five Points Pizza (at 1012) and Boston Common, aka Batter’d & Fried (at 1008 A). It can also be accessed from the 1000 block of Russell Street, next to the YMCA Community Action Program building at 1021, or from the paid parking lot next to Beyond the Edge.
The giant mural that appeared this fall on the back of Center 615 began as an idea to bring together the many non-profit groups in Nashville. Southern Women for Civil Rights planted the seed, as it were, for what became the We Are Seeds Community Mural + Block Party, resulting in the mural above. Center 615 offered its back wall, which is separated by an alley and a fence from the Parkway Terrace Homes, an MDHA affordable housing complex. For the SWCR and the artists who became involved, it was important to engage that community and not simply present them with a fait-accompli. So the artists, including Catlin Mello, Omari Booker, Elisheba Israel Mrozik and Woke3 (Here’s a photo set of them as they got started planning), began by engaging the Parkway Terrace community. Some of them worked with children from Parkway Terrace in portrait-drawing classes. As the mural began to grow, with the theme “They tried to bury us but we are seeds,” many of the kids from the community got directly involved, helping to paint and signing their names. The lower reaches of the mural are covered with names and even a few handprints. Some of them needed a little help. A few of the kids are even featured in the mural (see below). Adults and children from communities and non-profits from around the city also got involved. Paintingthemural took about a month When the time for the block party rolled around (September 22, 2018), 500 to 600 people representing communities and non-profits from around Davidson county participated in games, put the finishing touches on the mural and shared free food and drink (provided in part by Center 615) – and maybe also bought some lemonade to support the Malala Fund. The mural itself demonstrates the diverse styles of the main artists. Woke3 did the waves, flowers, and tree on the far left of the mural, Mello did the lettering (with an assist by Troy Duff), the women in the center were done by Mrozik, and the children and flowers on the right were done by Omari Booker. All I can say is wow, and I’m sorry I missed the party.
Located at 615 Main Street. The mural lies on the north side of the building (the opposite side from Main) along an alley that runs between North 7th and North 6th Streets. During the workweek, there are often cars parked in front of the mural, so it is probably best to visit on the weekend. Street parking is available on both Sixth and Seventh.