The mural at Avo, a vegan restaurant on Charlotte, shows up a fair amount on social media. It helps that it’s across the street from the Off the Wall project, which packs together fourteen high-quality murals in one place. Anyone doing a serious mural tour of Nashville will definitely check that group out, and they won’t be able to miss the raining avocados across the street. Also, its fun, poppy design naturallylendsitselftolotsandlotsofInstagram–readyphotos. Now the mural isn’t signed, but if you dig deep on Avo’s Instagram page, you’ll find a picture of the artist hard at work and credited as @moldymonk – a link which is dead. Good thing I recognized that handle because Seth Prestwood has changed his IG handle to @sayyyeth. And then it clicked – Prestwood also did the very first piece of the Off the Wall project! (That link has links in it to all my posts on the series.) Anyway, go get your Instagram shot and definitely eat your veggies.
Located at 3 City Boulevard #200. The mural is on the north side of the building and faces a large parking lot that lies on the 3000 block of Charlotte Avenue.
Several months ago, this striking portrait by the artist who goes by JamersonSGC appeared on Jefferson Street – and led to me getting a photo credit from the Frist Art Museum. Frist held an exhibit in Fall 2019 about the murals of North Nashville called, appropriately, “Murals of North Nashville Now.” (The exhibit is closed, but I think you can still get the book.) It featured indoor works by a number of artists who have appeared on this blog and included a slide show of many of the murals of North Nashville. This is where this wall comes in. Jamerson’s piece sits alongside “A Soul Break” by Thaxton Waters, a mural that’s about a year older. It so happened I had shot Water’s piece before this portrait went up, and the museum wanted a “clean” shot of “Soul Break” without Jamerson’s face for their slideshow – and voila, I got a photo credit at the Frist. Thanks, Low Key Art! (That’s Jamerson’s usual tag, as you see here.) Oh, the mural? Well it’s certainly a powerful portrait, and I have no idea who it is supposed to be but it’s a face that’s had to ignore.
UPDATE: The artist contacted me. The portrait is a stylized version of a photo of a young Diana Ross. I can see it now.
Located at 2615 Jefferson Street, on the old Eyecatchers building. The mural is on the east wall, facing towards the interstate. There is a gravel lot right in front of the mural you can park at. If it’s closed off, you can try the alley behind or park across the street.
Usually, if I’m having trouble researching an artwork, it’s because I don’t know who the artist is. But the signature for Eastside Murals is very clear here. No, what took some digging was figuring out what Eastside’s client, Altru Creative, actually does. Check out that website. Music business, check! But what they do in the business isn’t all that clear, even if you read all their blog posts. However, their Facebook page is more helpful, as they’ve checked the categories Advertising Agency, Media Agency, and Music Production Studio on the “About” section. Those categories would seem to include promoting music shows and festivals while working primarily in the worlds of house, electronica, dance, hip-hop, and R&B. That triangle in the middle is their logo, and their name is tattoed on the DJ’s hand, so it seems this counts as a sign as well as a mural. It’s Nashville, so of course, there’s an image of the Batman Building, but also a crane with a wrecking ball, which is also very much a symbol of today’s Nashville.
Located at 1036 West Kirkland Avenue. The mural faces the road. There is a large gravel parking lot, and street parking is available.
A few weeks ago, Chauhan Ale and Masala House celebrated its 5th anniversary. Chauhan Ale and Masala is the first restaurant of what has become a small restaurant empire in Nashville founded by Maneet Chauhan, a celebrity chef perhaps best known as a regular judge on Chopped. As part of the celebration, Anthony Billups and Dean Tomasek of Music City Murals produced this peacock, a peacock notably missing its head. But that’s no accident. The Chauhan peacock mural nicely exemplifies one of the key drivers of the mural art scene in Nashville. Business owners want you to stand in front of the murals on their stores, get your picture taken, and check in on social media. Here’s Chef Chauhan doing exactly that in front of this very mural, modeling the way it’s supposed to be done. For this mural isn’t missing its head, it’s just waiting for you to put your’s in the right place to finish the image. This isn’t the only mural in town designed so specifically with selfies and portraits in mind. The two Kelsey Montague murals, both the balloon and the wings (of the almost continuous line) come to mind, but they are hardly the only ones. Of course, not everyone remembers to check in, but if you look close, you’ll notice that’s taken care of here because the key tags are already in the mural. So here’s to the selfie, creating work for artists all over town!
Located at 123 12th Avenue North. The mural faces the 1200 block of Grundy Street, on the north side of the building. The large gravel parking lot nearby is usually reserved for valet parking. There’s street parking going north on 12th after 6 pm and under the bridge to the north all day.
Sometimes I report on new art, sometimes not. While not nearly as old as the art in my last post, this mural at The Cobra on Gallatin goes back to September 2016, and I posted about the larger mural on the side of the bar way back in April of last year (see below). Obviously, it’s by Eastside Murals. It continues the theme of skulls found in the mural on the side, but not the cobra or beer imagery. Here the skulls are complimented with abstract art. There is another mural altogether on the backside of the bar, one very different from the other two. Maybe I’ll post it before the end of 2020.
Located at 2511 Gallatin Road. As it faces Gallatin, your best bet for a good view is actually across the street, where there is a Walgreen’s with ample parking. The bar itself has plenty of parking, particularly early in the day when the bar is closed.
This may at first just appear to be a picture of an old brick building, found on 8th Ave South just south of the railroad bridge, a building which until recently housed the Downtown Antique Mall. Look closer though, and a faded set of signs emerges. Damage on the taller part of the building has erased part of the original sign, and banners, one for the departed antique mall, one advertising the building for lease, hide much of the long thin signs down the length of the building. (There’s a clip from Google Street View below that doesn’t have the leasing sign.) They advertise a firm that was called G.P. Rose & Co. According to the 1919 edition of Grain and Farm Service Centers, Vol 43 (scroll down to the bottom of page 1143, the linked page) G.P Rose & Co. was founded in 1884, the successor to Smith & Rose. The company featured direct access to the L & N and the N.C. & St. Louis Railroads (there are still tracks behind the building, and rail traffic still passes by regularly) and was powered by three 35 h.p G.E. engines (in 1919, anyway). There were two buildings at the time that could hold a total of 95 thousand bushels and handled wheat, oats rye, field seeds, and cowpeas. As the signs on the building say twice, “A Feed for Every Breed.” It’s quite conceivable the sign goes back to 1884. If so, it would have been originally painted 136 years ago. It’s also possible the sign is somewhat younger or was substantially altered at some point – being sure will take more research. But it’s very likely to be one of the oldest painted signs in Nashville, if not the very oldest. Nashville was a much smaller place back then, as can be seen from the 1889 G.M. Hopkins Atlas of Nashville, and there aren’t many candidates left. For instance, you can see a few faded letters high up on 423 Broadway, present home of the downtown version of Mellow Mushroom, which seem to read “—WELL BROS & Co” that may be from the late 19th century, but that’s about it for Lower Broad and its cross streets. The 1889 Hopkins Atlas also explicitly shows G.P Rose, though back then 8th Ave was called Spruce Street (see the excerpt below). I also found on eBay a collection notice signed by Mr. G.P. Rose himself, dated April 29th, 1885 (which I bought!) – you’ll find it at the bottom. It would be really nice if this sign was spruced up. That will likely depend on the building’s next tenant, assuming it’s not torn down.
Located at 606 Eighth Ave South. It’s possible to park for a while in the space just south of the building, between it and Norris Architecture next door. Otherwise, you’ll need to park on the other side of 8th Ave.
If you think about it and are a little generous, you can say that the twisted straw on this mural spells out the word “urban.” Which makes sense, since this mural sits on the side of the Gallatin Road version of a local juice bar chain called The Urban Juicer. If you look at that website, you’ll see long, super twisty straws are part of their branding, so this colorful version hinting at all the different kinds of juice you can get fits right in. It’s by David Wright of Manecoon Sign Company, who rarely signs his work, but if you peruse that Instagram account, you’ll see that his art is all over town. The picture above doesn’t capture the whole work, as there is also a The Urban Juicer logo and slogan off to the side, but that would have made a bad header photo for this post (see below). Maybe give The Urban Juicer a try – they were voted Best Juice Bar in the Nashville Scene’s Best of Nashville poll in 2019.
Located at 1009 Gallatin Ave. The mural is on the south side of the building. Note that the parking lot it faces is not The Urban Juicer’s parking lot. There’s is in front of and behind their building. There is also street parking on Sharpe Avenue, just to the north.
Ready for a pun? Hanging Around is a custom frame shop. And if you look at the mural, you can probably guess it’s found at the corner of 8th Ave S. and Lynwood. Back in May, the store acquired a new work by Kristy Oakley, of Where the Art Is. Oakley has produced communitymurals before, and while this is more focused on the store, it has some of the same elements of familiar local sights she has used in those murals. The skyline is roughly what you would see a block or so north of Hanging Around as you crest the hill on Eighth heading downtown, including the State Capitol and the Sheraton building, though large trees block out the view of the Batman Building at that spot. Look closely at the mural and you’ll see Oakley has put in a couple extra plugs for herself. Besides the main signature, there’s a “Where the Art Is” bumper sticker on the van and the luggage tag says “Kristy Oakley.” There’s hot chicken in the van and references to our local sports teams, and of course a guitar. The frame is reminiscent of a similar though less crowded one in one of her Donelson community murals. (This is the other one.)
Located at 1508 Eighth Avenue South. The mural is on the north side of the building, facing Lynwood Avenue. There is street parking on Lynwood.
This is a story of a missing mural. I am certain that next to the front door of HOME there was once a small mural that contained music motifs, including a saxophone, that I both photographed and posted about. I can find no evidence of either. That’s how much art is out there – even stuff I drive by every day I can lose track of. This mural, found on the east side of Center 615, is relatively new – it went in a few months ago – and is by Atlanta artist Kevin Bongang. He’s done at least three other pieces in Nashville in this same colorful style, including one of the Off the Wall murals on Charlotte. As for the host of this mural, HOME stands for “Helping Our Music Evolve,” and it’s a music industry incubator, where music professionals can connect, collaborate, and get access to production facilities, office and rehearsal space. Now if that ain’t modern Nashville, nothing is.
Located at 615 Main Sreet. The mural is on the lower floor on the east side of the building, facing North Seventh Street. Street parking is available on 7th. The mural does face a small parking lot, and there are often cars in front of. Maybe try very early in the morning.