Tucked away on the back side of Block E of the massive Capitol View project is this charming mural of a kid on a trike by Music City Murals. Though sort of hidden in an alleyway between the building and a raised railway track, the subject is appropriate, for there’s a short tunnel just across the alley that leads to Frankie Pierce Park, a green space that includes a children’s playground that was built as a public-private partnership between Capitol View and Metro Parks. Pierce was a civil rights activist who played an important part in the women’s suffrage movement in Nashville. The mural is one of three that Music City Murals has done for Capitol View, the other two in much more visible places. They’ll be on the blog soon. The hardest part of researching this (since I already knew who had done this unsigned mural) was working out exactly where it is on a map. Google Maps, as of this publication, has still not fully incorporated this relatively new development project. Google wants you to believe this patch of land is on the border between “North Gulch” (ugh) and Hope Gardens, but long-time locals know that it’s Hells Half-Acre.
Located at 500 11th Avenue North. That’s the address of Block E of the Capitol View development, the building the mural is located on. The mural is found in an ally/driveway that separates Block E from the raised railroad that lies to the east, in the direction of the Capitol. The alley runs between Nelson Merry Street and LifeWay Plaza. The mural faces south, towards Nelson Merry, and is about in the middle of the block. There is plenty of parking available in the complex’s garages.
Happy Fourth of July everyone! Of course, this year, the 4th is a little different. 2020 has not been an easy year, and we are only halfway through it. Maybe this stern-faced eagle by the artist JamersonSGC (who often signs his work “Low Key Art”) is exactly what we need. Its gaze seems a little disapproving, reminding us of our civic duty, implying that we haven’t quite measured up. Or maybe I just read it that way in the face of – waves hand around – everything that’s been happening. Sometimes being a citizen is easy, and sometimes it is hard, and in 2020 it isn’t easy.
Jamerson has engulfed the whole building in art. The eagle is found on the back of Marley’s Market and Restaurant on Lafayette Street, roughly the south side of the building. On the east side, the left if you are standing at the entrance, is a brown-and-black American flag. And wrapping across the front and the west side of the building is an American flag with an African-American man’s portrait. I’ve seen convenience stores with flag murals before, but nothing on this scale.
Again, have a happy and safe holiday weekend. And think about what that eagle might be trying to tell you.
Located at 141 Lafayette Street. There is parking at the market.
Since the death of Kobe Bryant, at least three memorial murals have appeared in Nashville honoring him. I’ve already written about one by JamersonSGC, which I featured in Strength and mourning. Another, which I’ll feature soon, is found on 51st Ave North at This Red Bicycle Coffee. It is interesting that of all the icons that have been lost of late, Bryant has gotten this much artistic attention.
The one above is on Nolensville Pike at the building that houses La Sierra Western Wear. It is by José Fernando Vargas, who has been on this blog many times before. He’s one of the principal muralists who decorates Latino-owned businesses in town. Unlike Jamerson’s mural, which features a young Bryant alone, this mural also includes Bryant’s daughter Gianna, as well as the names of all the victims of the helicopter crash that killed them. As well, the mural includes the jerseys Bryant had in his career, an action shot of Bryant dunking, and one his quotes. A golden basketball rim stands in as a halo over Bryant’s head.
Long ago, this wall had a mural of graffiti art I featured in The Vape USA Gallery, which was painted over some time ago.
Located at 3807 Nolensville Pike, a few hundred yards south of the entrance to the Nashville Zoo at Grassmere. This mural faces north towards downtown. Parking is available.
As he was a long-time stalwart of the Grand Ole Opry, it makes sense to find a life-size sculpture of Little Jimmy Dickens right in the center of the plaza in front of the entrance to the Ryman Auditorium, the Opry’s long-time former home. It’s actually fairly new. It and a statue of Bill Monroe nearby were unveiled on June 7, 2017. Both are by the Mississippi sculptor Ben Watts. (I’ll write about the Monroe statue in a later post.) Brad Paisley, who cites Dickens as an important influence, helped dedicate the statue, noting Dickens’s hard work and commitment to entertaining his audiences. Dickens, who died at 94 on January 2, 2015, had been on stage at the Opry just days before.
Besides his diminutive size and love of funny novelty songs, Dickens was also an early pioneer of the rhinestone style, which West has captured in bronze. Dickens was also a Shriner, and consistently wore a Shriner symbol on his cowboy hats, also seen in West’s work.
As you can see in the slideshow below, this is another in a series of works that has a helpful suggestion as to where the photographer should stand for your photo with Dickens. The empty plaza in my photos also tells you that I shot this during the pandemic shutdown. Even so, I did have to wait for a small group to finish their pictures first.
Located at 116 5th Avenue North. That’s the official address of the Ryman, and long ago it was where you entered the building. However, the modern entrance faces the 100 block of 4th Avenue North, about a half-block north of Broadway. That is where you will find the statue. This is downtown – lots of parking, almost none of it free.
Nashville and the world have been through a lot lately, so much so that the tragedies memorialized in this mural, part of it only a few weeks old, have been superseded by even more. The mural is by Nashville artist JamersonSGC, who often signs his work “Low Key Art,” and it went up in stages on the back wall of Tito’s Market and Seafood as different tragedies played out. First, on the left, Jamerson created a memorial for Kobe Bryant sometime in February, not long after Bryant’s death in January. It features a nickname Bryant chose for himself, Mamba. The image is based on a photo by John Soohoo that first appeared in a Rolling Stone article about the hype over Bryant’s early career. Interestingly, an artist in Brooklyn had a similar idea.
The rest of the mural was added in the aftermath of the March 3 tornado. Look closely at the Nashville skyline embedded in the Nashville Predators logo, and you’ll see that it includes a tornado bearing down on the city. You know it’s Nashville because it has Nashville’s Eiffel Tower, the Batman Building. Atop the Predator is a Northern Mockingbird, Tennesse’s state bird. “Tennessee Strong,” along with “Nashville Strong,” are both slogans that have been seen in more and more places in the aftermath of the tornadoes and the crises which have followed. Below the slogan is a logo of my employer, Tennesse State University, as well as the logo of the Tennesee Titans (with a tornado added) and the central shield from the Tennessee state flag.
At the far right, we find a young girl in prayer, which needs no explanation. This is not the first mural Jamerson has painted on this wall. Back in 2018, he put up a large Mother Earth mural that was subsequently painted over. On the side and front of the building, Jamerson has recently painted some food murals which I will feature later.
Located at 13 Lafayette Street, at the intersection where Lafayette, 2nd Avenue South, and McCann Street come together. Parking here can be difficult. The market has some limited spaces in front, and it is sometimes possible to park for a short time in the small yard in front of the mural. Street parking is available a little farther south on 2nd Avenue.
The best view of the We Are Nashville installation at 916 Main Street is where the Holleman Transmission building used to stand. It was taken down by bulldozers, in preparation for new development. But the photographic mural features the staff of the local fashion line Molly Green, whose Main Street branch once stood next door to Holleman, and which was almost completely destroyed by the March 3 tornado. We Are Nashville is an anonymous collaborative that for the last two years has been documenting who Nashville is today. They have begun to put up wheat-paste installations of the resulting photographs, with QR codes that lead to their website where you can learn the stories behind the images. The start of their campaign to present these photos and stories to the city coincided with the tornado and its aftermath, so it makes sense that some of the early installations are about the people and stories of the storm.
In the center and the far left, we see the people of Molly Green, standing in the ruins of their Main Street store.
If you were to stand where the photographer stood now, you would see the mural to your direct right, as the Molly Green building has been leveled.
The left side of the mural includes a closeup portrait of Molly Green staffer Heather Johns, but it’s mostly is a portrait of ten-year-old London outside her great-grandfather’s home, David Young Sr. Parts of the home date back to 1870, and if you click on the Donelson story above you’ll see it was more damaged than it appears in this photo.
A little ways away, about where I stood when I took the photo at the bottom of this post, there are three smaller portraits of Molly Green staffers. They are on the backside of Attaboy. The only deaths recorded in Davidson County from the March 3 storm were of two people who left Attaboy just as the tornado was approaching.
These are obviously all temporary. Wheat-paste murals don’t tend to have a long shelf life. Like the recent also temporary installation at Jerry’s Artarama a few blocks away, they both memorialize the damage suffered from the storm as well as highlight the strength of Nashville as a community. There is something else about them that speaks to the temporary nature of all art. Just below the four portraits above stands the only remaining fragment of the largest work of art destroyed by the March 3 storm, the wrap-around mural by Eastside Murals that once covered all of Molly Green.
If Americans are familiar with any Mexican artist, it’s likely to be Frida Kahlo. Her surreal self-portraits that often depicted her physical and psychological suffering appear all over the place, and Salma Hayek even played her in a movie. So it’s no surprise to find her on the side of Plaza Mariachi, a Latin–themed shopping and entertainment center on Nolelesiville Pike. There was actually a festival celebrating Kahlo last July on the 112th anniversary of her birth, in which the mural was unveiled, and which included a city resolution honoring Kahlo.
The work itself is by José G. Vera-González. Vera’s done a lot of work in Nashville, though most of it has been indoors, with at least one exception, the mural featured in La Mexicana Market. It appears to be based on this photograph of Kahlo done by Nikolas Muray in 1939. It includes themes that Kahlo used in her own images. Both butterflies and hummingbirds for instance are found in “Self-Portrait with Thorn Necklace and Hummingbird,” (1940), while flowers are all over her work, though the cala lillies seen here are more a feature of the work of her husband, Diego Rivera. And of course, she has a unibrow. Kahlo put it in all her self-portraits, and it would be disrespectful to leave it out. Pottery, on the other hand, seems to be a signature of Vera’s work.
Located at 3955 Nolensville Pike. The mural is hard to see until you are right upon it. It’s on the south side of the buidling, where Madera Coffee Roasting Company is. There is extensive parking available.
There’s quite a history to this wall on an unassuming building at 5th and Lea downtown. A few weeks ago, a set of murals by Thoughts Manifested and others went in. Before that, there was a set of murals primarily by Marty Riet McEwen, who signs his work “Riet.” Of course, some of Riet’s work was painted over by Abstract Dissent (aka Shane Pierce) for a Johnny Cash mural. And if you look closely at some of the pictures of Riet’s work below, you’ll see he clearly had painted over work that had been there before. Such is the way with outdoor art. I have my map with all its pins, but some spots you’ll see two or three pins, denoting a series of works on that particular wall.
The new set of murals starts on the left with a set by Pako and Audie Adams that includes a promotion of the Red Wolves Coalition, an organization dedicated to the restoration of the red wolf.
Going down the wall, we see a piece by Jon Ragoe Judkins and a new one for Riet, from what I would call his “cute horror” series. (Check out his Instagram page above, you’ll see what I mean.) And at the end, there’s an abstract piece of unknown authorship.
Why I never put the previous murals on the blog I don’t know, but this is what was there before.
Located at 526 5th Avenue South, which is the home of Enchanting Limousines (or was, their website has been suspended). The mural faces north, away from from Lea Avenue. This is downtown – lots of parking, almost none of it free. There’s a paid lot in front of the murals.
I don’t often report on very new art, but this seems timely and relevant. The artist who goes by JamersonSGC and signs his work “Low Key Art” only put this up about a week ago. He writes, “You are my superhero.. be safe..#nurse #doctor.” Ironically, this corner on Lafayette Street, a corridor Jamerson has done a lot of work on, usually has people congregating, as it did when I went to photograph this mural. A lot of it comes down to the fact that social distancing is a matter of privilege. Some people because of their income or housing situation really can’t, and some people, like our medical personnel, like our grocery workers and delivery folks (to name a few) have jobs that require them to take risks. We should honor those risks, and seek ways to help the people who don’t have adequate housing, income, and medical care to shelter in place.
Jamerson has some other work on this building I’ll feature later.
Located at 125 Lafayette Street, on the building that houses Southside Market and Deli and Big G’s. The mural faces Lincoln Street. There is some street parking in the immediate area.