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The Commodore Grille, Part 1

Because I took a break from the blog for a while, I’ve missed some new art. But I also have a back catalog, if you will, of older art that still needs to make it to the blog. And the double mural at the Commodore Grille is an important work I should have put on the blog a long time ago.

What makes this work important is its location, for the Commodore Grille sits in the Holiday Inn building on West End. This makes the murals at the Commodore Grille some of the very first murals on a building owned by a national chain in Nashville. Depending on how you define “major,” it might also qualify for the very first on a building owned by a major chain. This mural and its companion (which I will feature soon in an upcoming post) were done by Mobe Oner (Eric Bass) in April 2019 in honor of the Grille’s 50th anniversary. As such, they beat out the mural at our local branch of Top Golf by a couple of months and the one at the Kroger near Five Points by a few more. The only mural at a national chain in Nashville that appeared earlier that I am aware of is the one at what used to be a Holler & Dash and is now rebranded as a branch of Maple Street Biscuit Company. That one was created by Meghan Wood of I Saw the Sign in early 2018. Ashley Bergeron of The Studio 208 helped Mobe Oner get the Grille and Holiday Inn to take this leap and put local art on a national chain.

It’s also an early example of an interactive mural, or at least it was. At one point there was a stool in the middle where people could get their picture made between the two songwriters. While the famous wings mural was probably the first intentionally interactive mural in Nashville, as a trend interactive murals didn’t really take off until around the time the Commodore Grille murals went up. (The Gulch wings mural went up in 2016, around the time I started this blog.)

The anonymous songwriters in this mural are an obvious theme for the Commodore Grille, as songwriters’ nights and open mic nights are a regular feature of the entertainment there. If you want to see a very different version of Nashville music from the one found down on Lower Broad, you might want to check out the Commodore Grille.

Located at 2613 West End Avenue. The mural faces west towards 28th Avenue South. This is a busy area with lots of parking, but most of it is tied to local businesses. You might try the parking garage on the 2500 block of West End or look for street parking on Vanderbilt Place a block south of the mural.

The Local Distro Youth Mural

Back last summer, in June, a bright, vibrant mural appeared on the side of The Local Distro in Salemtown, facing onto their outdoor dining area. It was the product of many hands, a true community mural put together by a number of artists, nonprofits, and the children of the neighborhood. (According to the Tennessean, many came from the nearby Chetham Place housing community.)

(I have been having technical trouble with featured photos. If you don’t see the full mural at the top of the post, scroll down to the bottom.)

Leading the project was the artist Omari Booker, who just happens to be a graduate of Tennessee State University’s Art Department (being a TSU History prof, I’m more than happy to point to the success of a TSU grad). Other artists were involved, including Lee Ann Love, Devone Marie, and Dough Joe. But as a community project, the mural also is the product of local youth, brought together by My Canvas Youth Arts (which was co-founded by Love). Family and Children’s Services also helped sponsor the project.

You the Mural Nashville street art

Booker and thirty-four youth artists worked with art therapist Devon Billions-Gomez of Inspritus, a social services non-profit, to develop the themes for the mural. The ideas they developed focus on many prominent current issues, such as police brutality and the work of Black Lives Matter. The tornado represents the March 2020 storm that devastated much of North and East Nashville. The mural was officially unveiled on June 13, 2021.

Youth Mural Nashville Street Art

Booker is no stranger to this kind of work. He participated in the “We Are Seeds” community mural in 2019, which was also a youth collaboration, and he recently collaborated on a piece at the Oasis Center that I will feature later.

Youth Mural Nashville street art
While I can’t identify the young woman, given Booker’s work in the past, she is likely one of the youth artists.

I almost made the mistake of saying this mural was in Germantown, but the blocks bordered by Rosa Parks Boulevard, Hume Street, 3rd Ave North, and the interstate are Salmentown, a neighborhood chopped up badly when the interstate was built.

Located at 614 Garfield Street, at the corner with 7th Ave North. The mural faces 7th. Street parking is available on 7th, and if you are a patron of the Local Distro, behind their building.

Youth Mural Nashville Street art

Turnip Truck (Charlotte Ave) Fairtrade Mural

Back in January, a big new mural appeared on The Turnip Truck’s big new store on Charlotte Avenue, courtesy of Tarabella Aversa. It’s actually part of a series of three murals around the country sponsored by Fairtrade America. Fairtrade works to support farmers and agricultural workers in developing countries, by supporting better prices for their goods, worker’s rights, combatting discrimination and child labor, and promoting environmental standards.

Turnip Truck Mural Nashville street art

This mural features Rosine Bekoin, owner of a small cocoa farm in Côte d’Ivoire. Aversa’s mural has her surrounded by cocoa beans. With the support of Fairtrade, she’s been able to get better prices for her cocoa, supplying such firms as The Hershey Company for use in their Kit Kat brand. She credits this help with getting her through a period of low cocoa prices and for being able to save to build herself a house.

Bekoin Portrait Nashville street art

Bekoin is unusual in Côte d’Ivoire for being a woman owner of a cocoa farm, as most are owned by men. The mural, besides promoting fair trade practices, is also emblazoned with the slogan “Support Gender Equality,” another priority of Fairtrade. One of the other murals in the series also features a woman and the gender equality slogan. In Denver, Giovannie “Just” Dixon created a mural featuring Natividad Vallejos, a coffee grower from Peru. The third mural is by Levi Ponce. It’s in Los Angeles on Sunset Boulevard and features Segundo Alejandro Guerrero Mondragón, who is also a coffee farmer from Peru.

Fairtrade Mural Nashville street art

Prior to this mural, there was another mural on this wall. Back when this building housed Nashville Cash and Carry, a restaurant supply store, Murals and More, the commercial home of Michael Cooper, did a mural spelling out “Nashville” with letters made up of food and restaurant items.

Here’s the QR code found on the mural. It leads to a page describing the mural series on Fairtrade’s website.

QR Code Nashville street art

Loctaed at 5001 Charlotte Avenue. The mural is on the east side (opposite the entrance) of the building and faces 50th Avenue North, and overlooks Richland Park. Parking is avaliable around Turnip Truck and across the street at the park

Chadwick Boseman (1976-2020)

Boseman Mural Nashville street art

I could probably fill this blog for a few weeks getting caught up on all the murals done by Charles Key (who signs his work JamersonSGC and “Low Key Art”). He created this mural memorializing Chadwick Boseman in early September 2020, just a few days after Boseman’s death.

Boseman of course was best known for his role as T’Challa/Black Panther in the Marvel Universe movies. The Black Panther movie of 2018 has been one of the most popular of all the Marvel movies and is the ninth-highest grossing film in history. Black Panther was also the first major blockbuster with a predominantly Black cast and is the highest-grossing film with a Black director. Before Black Panther, Boseman had a varied career for someone who died relatively young. He had the range to star both as Thurgood Marshall and James Brown in biofilms, and his breakout role was as Jackie Robinson in “42.” Boseman was also an active philanthropist, including donating $4.2 million worth of PPE gear to hospitals serving Black communities just months before he died.

In an interview with News Channel 5, Key explained the importance of the image he had chosen, which comes from a promotional poster for the Black Panther movie.

Charles admits he didn’t watch the movies like his kids, but there was something about the grace and dignity Boseman brought to the role that he couldn’t ignore.

He finally landed on an image that seemed to capture that. With his head bowed and his hands to his face, something about this picture of Boseman tells others there’s more to the man than you know.

“In the movie, this is the king. So we never know what people are going through when they have to make decisions,” Key Jr. said.

The long-term fate of this mural is suddenly uncertain, and not just because Key is in the habit of editing and reworking his murals. The building it sits on, which houses Ideal Liquor Store and David’s Discount Tobacco and Beer, sold a few weeks ago for $1.57 million. It was bought by the Tennesee Justice Center, a non-profit that works with needy families. As of this writing, they have not announced plans for the building.

Located at 155 Lafayette Street, at the corner with Fairfield Avenue. The mural is on the southern end of the building and faces Lafayette. There is plenty of parking available.

Diana Ross, Arcade Alley

Almost every new business in Nashville needs a mural it seems, particularly if they cater to tourists. That’s double so if you’re hidden in an alley and need to grab people’s attention any way you can. Sometimes the mural appears well before the business even opens. As far as I know, The WayBack PartyBar isn’t even open as of this writing, and it certainly wasn’t open in late March when the new mural was put in by Stephen Sloan, a Nashville artist who signs his work Never Xtinct

Diana Ross mural Nashville street art

It is of course a glorious image of Diana Ross. The mural is based on an iconic photograph of Ross that was shot as part of a portrait session in 1975 by Harry Langdon Jr. (And yes, for those of you with long memories, he is the son of comedian and early Hollywood star Harry Langdon Sr.) The original photo was shot in black and white, so the limited palette of Sloan’s portrait is true to the photograph it’s based on. The angular ribbon of differing shades of orange could be right out of a 1975 stylebook, the sort of graphic that might be part of the opening montage of a ’70s cop show. There’s a brief video of Sloan working on the mural on WayBack’s Instagram page.

Ross Portrait mural Nashville street art

Sloan has done other work around Nashville, including a mural in 12 South promoting the Nashville Zoo. He also recently contributed to a mural honoring Loretta Lynn at the Loretta Lynn Ranch in Humphries County. This is by the way not the only Diana Ross mural in town. There’s another by JamersonSGC (aka Charles Key) on Jefferson Street.

Ross Mural Nashville street art

Located at 217 Arcade Alley, about halfway between Church Street and The Arcade. This is downtown – lots of parking, almost none of it free.

Quanie Cash – Build Up Our Community

It’s not often I post about brand new art, but this eye-catching mural that went up a couple of weeks ago is right in my neighborhood and hard to miss, being in a prominent spot on Main Street. It’s by Kwazar Martin, an Indianapolis artist who’s only been producing murals for two or three years but has already been featured in national media. This mural marks his first work in Nashville.

The subject is Quanie Cash, a Nashville actor, director and musician who is also the founder of The Build Up Foundation, a non-profit that works with at-risk kids. Cash is not only from Nashville, but he also grew up in the Main Street neighborhood. In a post on his Instagram page about the mural, Cash noted:

I never thought growing up that a Mural of me would be on the Neighborhood Store Building my grandma sent me to everyday. 

Today, there is no longer a neighborhood store in the low-slung cinderblock building on Main. The only business remaining in that building is Tammy’s Beauty Salon. The old neighborhood store has been replaced by a Mapco next door. Perhaps because it’s a small building in something of a low spot, it was not damaged by the March 3, 2020 tornado, despite being right in the storm’s path.

The image of Cash in the mural would appear to be based on the profile shot from his Twitter account (that is, the profile shot he was using in May, 2021). On Cash’s Instagram, you can see a brief clip of him working on the mural.

Located at 718 Main Street. The mural faces west, in the direction of downtown. There is parking at 718 and at the Mapco.

Berry Hill Fences of Fame, Part 10

I’m finishing this series with the smallest of the fences around Columbine Park in Berry Hill that are adorned with portraits of iconic musicians. It so happens that in going clockwise around the park, this is where I landed. Like all the others, it was done by Scott Guion, and all were sponsored by the Nashville branch of the House of Blues, which has since been sold to the Universal Music Group. (That story has a picture of Guion working on the first fence I featured in this series.)  

It has on it three artists who have something of an unusual connection. John Fogerty of course gained fame with Creedence Clearwater Revival, but he fell out with them so strongly that he wouldn’t even play CCR material for decades, given the legal battles that ensued from that fallout. Lester Flatt and Earl Scruggs first gained fame collaborating as Lester Flatt and Earl Scruggs and the Foggy Mountain Boys. After years as a defining act in bluegrass, they parted ways over the future of their music. Scruggs was open to experimentation, while Flatt valued a traditionalist approach.

Fun fact: CCR holds an unusual record on the Billboard charts. They have the largest number of number 2 hits without ever reaching number 1 – five. (I highly recommend the podcast that link is from, Hit Parade by Chris Molanphy. Lots of great, nerdy fun about the music charts.)

This particular fence is also part of the reason it took me so long to write about this series. When I first shot these murals in 2017, there was no parking around Columbine Park or anywhere nearby. On a Sunday afternoon, I briefly parked in the empty parking lot of the business where the mural is found to grab this shot. A passerby in an enormous truck proceeded to berate me for being disrespectful to that business and just being a bad person in general. I didn’t really feel comfortable recommending people go see the murals and be subjected to the same thing, or be forced to walk from a long way away. Berry Hill also doesn’t have sidewalks. But there is in fact now parking all around the park and its has become a more welcoming environment.

Located at 2801 Columbine Place at the corner of Columbine Place (west) and East Iris Drive. The mural faces the park. It is set back a ways from the road, so it might be best to admire it from a distance. Parking is available around the park.

Part 1 Part 2 Part 3 Part 4 Part 5 Part 6 Part 7 Part 8 Part 9

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