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This time in blue

No Selfies mural street art Nashville

There’s also one in pink, which sadly has been recently defaced. They are both tagged #JVNLSCCS which leads to the Juvenile Success Instagram page, which is Adrien Saporiti’s page. Saporiti is also the man behind DCXV and the I Believe in Nashville murals, some of the most Instagrammed and selfied murals in town. Because of its location, this one is a little hard to find and probably won’t attract as many selfies (but will attract some!) and also hopefully will be much less likely to be defaced. It sits on the back of the old Roxy Theater at the corner of Wilburn and Meridian, which is slated to open as a new music venue sometime next year. This small block of vintage buildings has been revived as a commercial district in the last few years, a sign also of the expanding gentrification in this area. There’s a lot packed into “No Selfies.”

Located at 827 Meridian Street. The mural lies on the back of the building, facing the building that houses AMAX Talent. Street parking is available.

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With a Capitol View

Graffiti Capitol street art mural Nashville

It’s been a while since I’ve put any “wild” graffiti on the blog, but this one caught my eye recently and I really like it. That skull in the middle of the tag is common in Nashville graffiti. A good example is the one featured in Staying power. This tag was surprisingly difficult to research because it lies in the midst of a massive development project, Capitol View. Capitol View lies on the north side of the part of Charlotte Avenue that was recently renamed Dr. Martin Luther King Jr. Boulevard, centered on 11th Avenue. When fully finished, it will take up six entire blocks running between MLK Blvd and Clinton Street three blocks north, while bordered by George L. Davis Blvd to the west and the railroad that roughly parallels 10th Avenue to the east. And about 10th Avenue – many of us have come to rely on Google Maps to stay up to date, but as of this writing it very much isn’t, (but it might be by the time you click that) and I could not make what I remember seeing jibe with the map. At one time, Gay Street crossed 10th Avenue and went under a railroad bridge to connect to a large, decrepit parking lot. That lot is now “Building E” of Capitol View and has a big sign on it that says “500,” as it’s official address is 500 11th Avenue. And the stretch of 10th that used to run between Nelson Merry Street and Lifeway Plaza? It’s been turned into an almost-finished park, that according to Capitol View’s Master Plan, will apparently be open to the public and linked to the greenway system. To get it, you have to go under the bridge, right where this graffiti is. Which means this graffiti probably counts as endangered art. Check it out soon.

UPDATED: This has been painted over.

Located just east of 500 11th Avenue. There is a driveway that runs between Lifeway Plaza and Nelson Merry and parallels the railroad, and the underpass where this is found is right in the middle of that stretch. There is an entrance to a parking garage right in front of it where you should able to park as a visitor for short periods of time.

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Tattoos of Shed

Shed arms Mural street art Nashville

Some people like their photo taken with wings, but there are undoubtedly some folks who would prefer a couple of heavily muscled tattooed arms in their picture. This three-month-old mural by Tara Marie Aversa (also known as Tarabella Aversa) has those people covered. It’s an appropriate mural for a fitness center. Shed Group Fitness is actually a chain, though four of its seven locations are in Nashville, including the one in Germantown, where this mural is found.  While spare compared to some of Aversa’s other murals, these tattooed arms contain a few of the flowers characteristic of much of her work. There are also some traditional tattoo subjects, like birds, knives and mottos – “Keep Goin” and “Stronger Harder Every Day.” But how many people have tattoos of a cassette tape? No doubt someone does. This isn’t the only mural of flexing arms in town. Put up your dukes! by  Rachel Deeb is found on the side of the Church Street branch of Title Boxing Club near Elliston Place. Those are also tattooed, but not surprisingly, also have boxing gloves on.

Located at 85 Van Buren St, at the corner with Adams Street in a building Shed shares with O-Ku Suhi Nashville. The mural is on the west side of the building, facing a large parking lot. The Cumberland River Greenway is on the other side of the lot. The lot is a pay lot – there is some street parking on Van Buren and Adams. Get your sweat on and enjoy the art!

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City Pets

City Pets mural street art Nashville

This is a very new mural, finished just about a month ago. I see it on my way to work, but had not been able to photograph it until recently because of all the bright, sunny days we’ve been having – and all the shadows that go with them! This parade of pets on the side of City Pets Animal Care is the work of Leah Boorse. From the looks of her page, human portraiture is her main theme, but she also does a lot of pet portraits, which makes her a natural to bring art to a veterinary care center. Besides pets, there is a very obvious homage to the “I Believe in Nashville” murals by Adrien Saporiti of DCXV Industries in the center of the mural. (The only one of those murals on my blog so far is actually a copycat!) I photographed this mural at an angle because of a chain-link fence that interferes with a straight-on view (see below). And up above the mural, Boorse painted the City Pets logo on a second-floor window (see below).

Boorse has done some other murals, notably a quite different one from this in Deep Ellum. Deep Ellum is a neighborhood of bars and restaurants just east of downtown Dallas that can only be described as “mural intense.” Think 12 South on steroids. As for the City Pets mural, I scrolled through City Pets’ Instagram page to see if the models for these portraits could be found there and saw no obvious candidates, but plenty of cute pets. City Pets opened in this location about three years ago, when outdoor art in this area was a lot less common. Now it fits well with the expanding outdoor art scene along the Jefferson and Buchanan Street corridors, and come to think of Charlotte as well, a few blocks south. It’s also further evidence of just how common it is becoming for Nashville businesses, notably local Nashville businesses, to see art as a key component of what they do.

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Located at 1016 Jefferson Street. It’s possible to park next door in the parking lot fo Ware’s Barbershop, but a fence prevents direct access to the mural. For that, go to Rev Dr Enoch Jones Boulevard one block north of Jefferson to access City Pets’ parking lot.

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Line it up

TerboSterbo Salemtown mural street art Nashville

The tricky part about photographing this Sterbo (aka TerboSterbo) mural is knowing exactly where to stand and how high to hold the camera. Notice that the artist included the two utility poles as part of the installation. I think I did a fairly good job of lining up the lines on the poles with the lines on the wall, but I know I didn’t get it quite right. With the gentrification in Salemtown and Germantown, art has been spreading for a while (including the piece in the most popular post on this blog, ever), but not as much as 12 South or the Gallatin/Main/Five Points region – yet. That this is a more residential area prevents some of that, but some of the condos and apartments have outdoor art, such as the piece in Swoosh! This Sterbo piece is on a decidedly ungentrified place – Plumbers of Nashville, which despite that link doesn’t have its own internet presence or is even found on Google maps. But now they have a very colorful wall.

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Located at 1800 5th Avenue North. The mural actually faces Buchanan Street, near the middle of the 400 block. Street parking is available.

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Topgolf

Top Golf mural street art Nashville

The Topgolf complex off Jefferson Street on the banks of the Cumberland is an enormous entertainment complex. It is only appropriate then that it has an enormous work of art, courtesy of Nathan Brown. I have referred to the style above in the past as Brown’s “colorful geometry problem” style, but I now know he calls it his “geometric gradient style.” This one is more organic than others in this style, such as the one featured in Rainbow pizza, looking strongly like some kind of flower or tree. It sits on a 35×20 ft wall that’s part of The Cowan, Topgolf Nashville’s live performance venue. Note that Topgolf is a national chain. I’ve stated many times that national chains don’t do outdoor art, as it clashes with their branding. But more and more, art is part of the cost of doing business in Nashville. Brown apparently had complete freedom to create his own design. On his website, you can watch a video about its creation and see a number of other photos, including some that were taken from a higher vantage point. Notice the two electric scooters on the side? I had to move about five scooters out of the way that were parked in front of the mural before I photographed it.

Located at 500 Cowan Street, near where Jefferson Street intersects with I-24. The mural is on the northeast side of the building, facing the parking lot. Topgolf has an enormous parking lot, but you may have difficulties parking there at peak hours.

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Bending Normal

Bending Normal sculpture street art Nashville

This piece, “Bending Normal” (2017), by Brooklyn artist Marcus Manganni, has stood in front of The Packing Plant (a building with several small art galleries) since September 2017. If you visit during the First Saturday Wedgewood-Houston art crawl, you’re likely to see people walking around, taking pictures, or just studying the different ways it catches the light from different angles. What you see when you see it, what you get when you shoot, depends entirely on where you are standing, what time of year and what time of day it is, and most certainly what the light is like. You can see from the light and reflections in these photos that I took them last winter. Shoot them now, and that half-finished building would now reflect as finished. No two pictures of the piece will ever be the same. And that’s probably the point. As Manganni noted in an interview with The Tennessean and as he was quoted in The Nashville Scene, “Bending Normal” is a direct response to the statue of Nathaniel Bedford Forrest by Jack Kershaw that’s visible from I-65  south of downtown. Other than saying his piece “sends the exact opposite message” of the Forrest sculpture, Manganni doesn’t directly explain how it is in opposition to Kershaw’s piece. My suggestion is that the very ambiguity of “Bending Normal,” that what it is and what it looks like is fluid, despite its hard crisp lines, is precisely that “opposite message.” “Bending Normal” poses more questions than it answers, while Kershaw’s piece asserts its truth and dares us to say otherwise. Certainly, Manganni’s piece is up for much richer interpretations than the statue of Forrest. (And it occurs to me – the Forrest statue is in Davidson County. I guess I have to put it on the blog. “No art left behind” and all that.) You can check out Manganni’s own photos of “Bending Normal” here.

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Located at 507 Hagan Street, at the corner with Gray Street. When it’s not art crawl, parking in the gravel lot across the street is easy, and there is parking along Gray Street as well. During art crawl, I recommend getting there early (6:00ish) or plan on parking farther away.

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