I don’t know who built this wooden flag at the Nashville office of Summit Roofing. Probably some of the fine folks featured on their Facebook page. But I bet it’s designed to hold up in all kinds of weather (as it should). These are roofers, after all. Happy 4th of July everyone!
Located at 655 North Main Street (aka Dickerson Pike) in Goodlettsville, a few blocks north of the intersection with Riverside Parkway. The flag is on the north side of the building. Summit has some parking, but it might be better to park at the Phillips 66 next door.
Art comes and goes depending on the needs of the sponsors. When I wrote about the art on the old Turnip Green/Plateone building, I wondered what would happen to the Seth Prestwood (@moldymonk) pieces on the north and south sides of the building since both businesses had left. So far, the one on the north side is unchanged. Recently, however, Jason Galaz incorporated the piece on the south side into new work featuring the artists Pat Reedy, Alicia Bognanno of Bully and Joshua Hedley. I suppose that’s a fancy way of saying Galaz painted over Prestwood’s mural, but the remaining visible parts of the older mural make a nice framing device for the new one. Galaz signs the mural with his name and #MuddyRoots. Galaz has done Muddy Roots Records murals before, such as the one found in BBQ music. Reedy is a Muddy Roots recording artist, though I’m not sure what relationship the other two artists have to the label/music festival. Certainly, musicians make sense on this wall, as the building now houses a branch of Fond Object. Muddy Roots has sponsored temporary murals before, like the one in Wanda, so it remains to be seen how long this one will remain in place. (The Wanda mural was on the side of the other branch of Fond Object, so there’s another link.)
Located at 535 Fourth Avenue South. This is downtown, so not much in the way of free parking. There are paid lost nearby.
I have wanted to write about this particular mural for some time. It’s prominently visible if you are driving north on upper Nolensville Pike, it’s a weird mix of cheesy and minimalist, and it seemed to have been around a long while. What’s not to love? Sadly, there always seemed to be at least one car parked in front of it. So when I saw it car-free, I knew I had to get my shot quick. Sadly for this mural, the reason I found it car-free may also spell its doom. The furniture and appliance store whose goods it advertises has moved. Sam’s Mattress Furniture Warehouse doesn’t have much of an internet presence (other than a couple of bad Yelp reviews), but a sign on the door lists three new addresses, two for furniture and mattresses, one for appliances, all closer to downtown on Nolensville. The murals are as I guessed, survivors. All are signed by Mark E. Witte, a name I have not been able to track down. Witte seems to have worked fast giving each of them a separate specific date in April 2009. But they are out of order. Going left to right, they are dated April 26, 27, 28, 25 and 30. So he did the sofas first, then went back to the washing machine and worked his way back down the wall. Started on a Saturday, finished on a Thursday for a productive week. But with Sam’s closed, the fate of this mural seems uncertain.
Located at 3312 Nolensville Pike. It faces south, towards Chilton Street. It is possible to park across the street on Chilton, and there is of course parking at Sam’s until developers get a hold of it.
Nolensville Road is home to some striking outdoor art, and one of the most notable pieces is the colorful tile mosaic installation atop Casa Azafrán. Casa Azafrán describes itself as “28,800-square-feet of community empowerment, nonprofit collaboration and global grandeur.” It houses several non-profits, many with ties to the Latino community, notably Conexión Américas, which helps Latino families integrate into the Nashville community. The mosaic, titled “Migration” and unveiled in January 2013, was designed by Jairo Prado, a Columbian born Nashville artist. The design and materials are in keeping with the traditions of both Latino and Muslim culture (there are Muslim community non-profits housed at Casa Azafrán as well). Tile mosaics have a long history in Spain, stretching back through the Moorish period of Muslim rule and into the Roman era. When the Spanish came to the Americas, they brought their tile mosaics with them, where they encountered an already rich mural tradition in Mexico and Central America. Both art forms, often intertwined, spread across Latin America, and it is only natural that they have found their way in such a bold and bright manner to Nashville’s main immigrant corridor. The mosaic also represents the community focus of Casa Azafrán. More than 300 volunteers helped cut and install the tiles. You can see some of the process by which it was made in this video.
Located at 2195 Nolensville Pike. There is a fair amount of parking at Casa Azafrán. If the front lot is full, there is also parking at the back of the building. Get involved in some community non-profits and enjoy the art!
I’ve been a bit slow posting of late because of many things going on, but also because I’ve been a bit preoccupied with Puerto Rico. In early August this year, I spent eleven days going all over the island, including a visit to Culebra off the east coast. As you might imagine, I photographed a lot of public art. A lot. The street art scene in Puerto Rico is amazing. I have to say that while we have some very good artists in Nashville, we have a ways to go to catch up. While this is a very Davidson County blog, I decided to post some of my favorites here to encourage giving to Puerto Rico – and the U.S. Virgin Islands. This page maintained by Los Ambulantes has a lot of good options for Puerto Rico. I gave to Unidos por Puerto Rico, which is organized by the island’s First Lady (the link is in English). Here is a list of possible places to donate for the USVI, and this one seems to be run by the USVI government. Do your research before giving. Below are just a tiny fraction of my favorites. The file names indicate where they are from. I fear that some of these have been lost, particularly the ones near water. What I don’t show here is all the bronze statues. Puerto Ricans, or at least their government, looooooove bronze statues. They are all over the place. Obviously, not parking information this time. Go when you can, when it makes sense.
Art always looks different seen from far away, nearby, or close up. But the three portraits adorning the walls of the Harmon Group take those distinctions to a higher level. All three portraits (see the others below) are done using a photo mosaic technique, by using thousands of smaller images to produce a larger coherent image, though one that tends to disappear the closer you get to the image. (See closeups below.) Harmon is a marketing and advertising firm, and I’ve been able to identify a least a couple of the smaller images as ones on their website gallery, while the others all seem to be in the style of one or another of the campaigns they feature on their website. It makes for attention-getting images, which no doubt was at least part of the intent. People stumbling at night out of 3rd and Lindsley might not fully appreciate them, but you can visit in the daylight to get the full effect. The murals themselves are mounted on thin boards and bolted to the wall.
Located at 807 Third Avenue South, across from 3rd and Lindlsey, where 3rd is cut off by I-40 and Lafayette. There is parking at Harmon and nearby businesses, particularly right now as the office next door is empty. Get a professional consult on your marketing strategy and enjoy the art!
The address of the building is 24 Music Square West, but the mural itself faces the 1600 block of Roy Acuff Place. This is a tough neighborhood to park in, though easier on the weekend. You might have to walk a bit, or catch it on a guided tour of Music Row!
As you can see if you look close in the larger picture, those are post office trucks down that alley. Unclear from the picture, the fence is angled at the corner to create more room, while this metal safety pole is bent towards the fence, like possibly something hit it. This is a well-trafficked alleyway, and not just because of the post office. Just two blocks from Five Points, all kinds of people drive down this alley, or just turn around in it, hence the need for the pole to protect the fence.
Google Maps shows this pole as black and white striped with an “S” or “5” on top, so this is recent, perhaps in anticipation of next month’s Tomato Art Fest. I’ve seen that signature (andee) on some murals, and the style fits. Update: I do believe this is and Andee Rudloff piece.
Located on the west side of the 100 block of North 12th, between Woodland and Forrest Avenues, right at the alley entrance. Easy parking, except on very busy weekends.