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Nashville murals, street art, graffiti, signs, sculptures and more

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68 Years (An Off the Wall Project)

BLK.JHN Mural Nashville Street art

Back in April, 2019, I thought I had completed a series on the fourteen (and only fourteen) murals of the Off the Wall project. Well, while there was a hiatus in new murals for about a year, Tinsley Dempsey, the person behind this large outdoor gallery, has since managed to get more walls for the project, more artists, and apparently more funding. Three new murals have appeared since the end of what I will now call the first phase of the project, including one by Nino C. Flores that went in at the end of 2020 and and one from Tarabella Aversa that went in the previous April. Dempsey has said that she wants to run murals all the way down the 2900 block of Felicia Street, which would have murals wrapping all the way around the block.

This is presumably the first of a series of murals that will go on a long low wall that runs along Felica Street, and it went up back in March. It’s by the artist BLK.JHN. Like much of his work, it’s done in a vivid, pop-art style. I call the post “68 Years” because that’s how BLK.JHN titled the painting that he made that this mural is based on. The painting and the mural are in honor of his grandparents, who would have celebrated their 68th wedding anniversary on March 31. Sadly, his grandmother passed the day before he finished this mural. This isn’t the only memorial mural in the Off the Wall series. There’s a mural honoring Jessi Zazu, as well as a work by Omari Booker honoring his sister.

BLK.JHN seems to have only done a few murals, and this appears to be his first in Nashville. I would hope we see more, as his style is bold and works well in mural form.

Located at 2901 Felicia Street. That’s an imaginary address, as this is a back wall of the Abbot West Self Storage complex at 3020 Charlotte Avenue. It lies about 150 feet west of the corner of 28th Avenue and Felicia Street. There’s a small gravel parking lot right next to the mural.

Nashville Looks Good on You – Marathon Village

I’ve written about the one on Nolensville Pike and the one in 12 South. I’ve also written about the one on 21st Avenue South. And now we have the one in Marathon Village. All four are by the same artist, who signs his work NASHTN.

This version is fairly new, having gone up a little over a month ago. In the selfie wars of Nashville, the one in 12 South is definitely one of the most popular murals in town. There’s usually a line to get your picture taken there. This one may not get as much attention as the 12 South version, but it will also see more visitors than the one on Nolensville Pike, which is far from where most tourists go (thankfully so – at least we locals have all the great immigrant restaurants on Nolensville mostly to ourselves).

Marathon Village is not as overrun with tourists as 12 South or Lower Broad, it certainly gets it share, and no doubt many will find this new one. It’s on the other side of a parking lot from the main part of Marathon Village, but through tax records I was able to confirm this building belongs to Barry Walker, the developer of Marathon Village. (That link is an interesting history of Marathon Village and Walker’s work to restore it.)

Each NLGOY mural is distinctive. The 12 South one is a simple black-and-white block, the Nolensville one is huge and morphs into a map of Tennessee, and the one on 21st is curved. This one is unique in its complexity. I think it’s interesting that the magnifying glass seems to be shining a light on the mural. The hand has been painted in a way that largely makes the electrical box disappear. The whole effect is like some giant that’s got an arm sticking out of the building while carefully examining anyone who gets their picture made in front of the mural.

On the artist’s IG page, you can see a series of images showing the making of the mural.

The building has a sign for 360 Skin Care, but its not clear if the business is active.

Located at 1206 Milson Avenue. The mural is on the west side of the building, facing away from downtown. The building lies directly across the parking lot from the tower on the main Marathon Village building. There’s plenty of parking around, but you may need to park a bit away to find something free.

Dolly at TailGate Brewery

One trend in Nashville outdoor art I can definitely support is the spread of portraits honoring Dolly Parton, like Kim Radford’s and the one by MuckRock. Now, both of those are on walls, and may be a little more permanent than this one. That said dumpsters are heavy, so this one will probably stick around a while. (By the way, I grew up calling them “dempsty dumpsters,” a corruption of the brand name of the original line of dumpsters, “Dempster Dumpsters.”)

Now, technically, I should have saved either Radford’s or MuckRock’s for today, as they are both women artists and today is International Women’s Day (and my father’s birthday!), but honoring Dolly is certainly in the spirit of the day, as she has long been a supporter of women’s rights and is something of a feminist icon, even though she’s careful about using the term “feminist.”

Dolly Parton Mural Nashville street art

This piece appears to be signed “ALORD 20,” which confused me for a bit until I remembered that Drew Lord is the art director of Tailgate Brewery and responsible for all their art. The dumpster, you see, is located in the parking lot of their Demonbreun Street location (right across the street from the (in)famous Musica statue). The mural includes some outlines of the pickup truck that serves as one of Tailgate’s logos (look under the name “Dolly”). That this work was done by Tailgate suggests it has some staying power, certainly as long as Tailgate Brewery remains in that location.

Dolly Parton Mural Nashville street art

The mural is based on a widely distributed photo that is probably from a 1970s promotion shoot. I have not been able to find who the photographer is, but Parton herself tweeted a copy of it on August 8, 2018, which apparently was International Cat Day. Her caption? (Or is that “cat-tion”?) “Just kittin’ around!” But of course.

Located at 1538 Demonbreun Street. The dumpster with the mural is in a small parking lot next to the traffic circle where the Musica statue is, and sits at the exit from the parking lot onto 16th Avenue South. There is parking in this area, but most of it is either pay lots or belongs to nearby businesses. Grab a brew and enjoy the art!

Nelson’s Green Brier Distillery

Around the corner from one of the more spectacular murals in town is the façade of Nelson’s Green Brier Distillery. Nelson’s is a revival of a family business first founded in Nashville after the Civil War by Charles Nelson. It became one of the only high-volume distilleries in Tennessee, and was distributed widely until the state of Tennessee instituted prohibition in 1909. A hundred years later, two of Nelson’s grandsons restarted the business in Marathon Village. You can read about its history here.

The central logo is based on a logo found on bottles from the original business, reading “Green Brier Tennessee” instead of “Nelson’s Green Brier.” (The name comes from the location of the original distillery in Greenbrier, TN). The sign, or really collection of signs, is by Bryan Deese, a prolific Nashville muralist. Like a lot of signs, it has no signature, but Nelson’s credits him on their Instagram page, and includes a couple of shots of him working on it, one which makes clear he had an assistant. Not every business does that, credit sign makers (and sometime not even muralists) so good for Nelson’s.

An odd aside – as I was leaving from shooting (and buying a bottle!) a truck pulling a large flat-bed trailer festooned with flags pulled up. On the trailer was a preacher, railing into his phone (shooting a video) against the evils of alcohol and the audacity of Nelson’s having its doors wide open (not the ones in the picture). They were open for COVID safety, presumably. The spirit of Prohibition than fist shut down Nelson’s is still around.

Located at 1414 Clinton Street, at the corner with 16th Avenue North. There is some street parking on Clinton, and some nearby paid lots.

Four years and counting

Today is the fourth anniversary of this blog, and I present a work of art no Nashvillian has ever seen. Ok, not a very good joke, but the “Musica” sculpture by Alan LeQuire has been a notable absence from a blog with the motto “no art left behind.” It is in fact one of the most commented-on works of art in Nashville, ever since it went up in 2003. The nakedness of the figures has been a main point of discussion, and at various times pranksters have put clothes on them. Recently, they were briefly masked. Perhaps less known is that the traffic circle they sit in is the Buddy Killen Circle. Killen was an important Music Row producer and publisher before his death in 2006. (Pictures of “Musica” in the round can be found at the bottom of the post.)

I don’t think I knew what I was getting into when I started this blog. It’s become a little something of a second job, though I wish I could tell all the folks trying to sell me blog-related services, this is a strictly non-profit hobby. I started at just the right time. Although this is certainly not a murals-only blog, the explosion in the Nashville mural scene is what has sustained it. Four years ago, murals were mainly on auto repair shops, in back alleys, and other out-of-the-way places. Then they migrated, slowly at first and then a rush, to the street-visible walls of local businesses. In the last several months, national chains have begun to enter the mural market, though not yet at full steam. Why has all this happened? In part, it goes back to an early push by Chamber East (the East Nashville branch of the Nashville Area Chamber of Commerce) and the high-profile example of the works promoted by the Nashville Walls Project. But it is also about a slow-developing movement reaching critical mass. One store-owner gets a mural and gets a lot of attention, and then neighboring businesses want one. Then it starts a few blocks down. Next thing you know, we have several full-time muralists in town and a few people leading mural tours for a living. While I have you here, I’ll tell you my little hobby horse: The artists who do mural work for Latino and other immigrant businesses are some of the most prolific artists in town, they’ve been doing long before anyone else got started, and they deserve to be recognized as real artists!

The blog has grown slowly in activity over the years. The first full year, 2017, 600 views a month was common. In 2018, it rose to around 1500 a month, to a little over 2300 per month in 2019. 2020 has been weird – a 3000 view month in both March and June, with a big crash in the months in between. That may have something to do with the demographics of my readers. Google tells me that my readership skews heavily female, and the largest group of readers are women aged 18-34 – you know, the bachelorette demographic? Who weren’t in town much during the height of the shutdown? By the way, those bachelorettes are another major reason for the mural explosion, as murals pull them in and that drives street traffic, music to any business owner’s ears.

And slowly but surely, Google has taken notice. If you search for “nashville public art,” I’m usually near or at the top of the page. With “nashville murals” and “nashville street art” you can now actually find me, though you still have to work your way through a few pages of links to all the “Here are the best 20 murals for your Instagram shot” articles to find me. For years though, this blog just didn’t show up at all in those kinds of searches. Progress!

The blog needs revamping. The biggest project I have in mind is thoroughly revising the Categories tab. I set up those categories on day one having no idea what I would need, and most of them I never use. I’d like them to reflect better what’s on the blog and be more useful to readers. That’s going to be a big job because I hit 600 posts back in April, but it’s on my list. I know that picture-heavy as it is, the blog can load slowly at times, and I need to work on that as well. Speaking of milestones, the map will have 600 pins on it soon, so look for me to finally post about another major work of art missing from my blog when that happens.

I’m going to keep at it, and sometime, possibly later this year, I’m going to start including work from the surrounding counties. In the meantime, keep reading, and get out there and enjoy the art!

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“Musica” is located in the middle of Buddy Killen Circle, where Music Square East, Division Street, Demonbreun Street, and 16th Avenue South meet. There is paid parking in the building between Demonbreun and Division and elsewhere nearby. Street parking is available on some nearby blocks.

Spaceman

What happens when an artist is given complete freedom to create? Well, if the artist is Mobe Oner (aka Eric Bass), you might just get a surreal scene. Perhaps you might get something like a drifting spacesuit filled with butterflies, with the facemask broken open so the butterflies can escape. In this case, you get exactly that. It certainly doesn’t have much to do with pizza, despite being on the front of the Midtown branch of Donatos. And no, the closeup pictures below are not slightly out of focus. Originally, this was a wooden surface, but the mural was done on stucco, giving it a textured look. There’s a richness to the color that you don’t see in a lot of murals in Nashville. As for the spacesuit, it doesn’t appear to be a specific design, but it seems to most resemble the AL7, which used by NASA for the Apollo and Skylab missions and thus would be fixed in a lot of folks’ minds as what a spacesuit should look like. And anyway, the orange Space Shuttle suits wouldn’t look good here. The butterflies look a lot like Blue Emperor butterflies, but they may just be fantasy butterflies.

Spaceman mural Nashville street art

In all the rush to make murals interactive, maybe all that’s needed is an arresting image.

Located at 1915 Broadway. The mural is on the front of the building, facing the street. There is street parking right in front of the mural, unfortunately, and Donato’s has its own parking as well. Grab some pie and enjoy the art!

Hyatt House and the Melting LP

Nestled in the alcove that forms the entrance to the Hyatt House Nashville at Vanderbilt (actually a couple blocks north of Vandy) is this large image (it’s around ten feet high). It looks for all the world like a viny LP record that is melting, dripping in thin streams of color down the panel. If you’re just walking down the street, it jumps out in stark contrast from the white wall behind it, as you can gather from the context shots below. A deconstructed vinyl record in rapidly developing Midtown seems appropriate, particularly since it is just a few steps away from the Rock Block, itself threatened by growth. It’s by Eastside Murals, with a discreet signature on the side. Instead of their more common way of working by painting directly on walls, this work is on a large wooden panel. The wall it sits on is alternately smooth and rough, and you can see from the picture of the signature below, the artists shaped the wood accordingly. Is it coincidence that the void in the middle is the perfect place to stand to get your picture taken?

Dripping vinyl mural street art Nashville

Hotels frequently use art, sometimes on a grand scale, but I think a giant wooden panel painted by local artists on the outside of a hotel is a little unusual. It certainly fits with the theme that Nashville business, even corporate chains, see outdoor art as a necessary part of their business plan.

Located at 2100 Hayes Street. The mural is on the south side of the building facing Hayes, near the corner with 21st Avenue North. There is street parking on Hayes.

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