#mural Archives - Page 6 of 93 - nashville public art

Feelin’ Lucky – Hawkers

One of the many things lost as a result of the closure of the long-standing East Nashville staple Family Wash was the mural of a giant multi-colored mule by Herb Williams that once adorned its building. But with a new restaurant in that spot, we also have a new mural.

Hawkers is an Asian street food chain based out of Florida that opened in the old Family Wash site on Main Street a few months ago. As such, it’s no surprise that the giant mural provided by Mobe Oner (aka Eric Bass) has a strong Asian theme. As part of their branding, Hawker uses an image of the familiar Maneki-neko, the Japanese beckoning cat. Wait, that’s what they are called? I didn’t know that they even had a name, but I learn a lot writing this blog.

And yes, beckoning cat, not waving cat. In Japan, that’s a beckoning gesture. They are usually white, which is the color for luck, and in the upper left corner of the mural, Mobe Oner has placed the slogan “Feelin’ Lucky,” hence the title of this blog post. The Maneki-nekos are supposed to be based on the Japanese bobtail, but the flesh-and-blood cats are not nearly as chonky as their artistic counterparts. Maybe it’s all the Asian street food.

Only some of the cats in this mural are actually doing the traditional beckoning gesture. We seem them dancing, cooking, stuffing themselves with ramen, and taking selfies. The biggest one of all, appropriate to Nashville, is playing a guitar. You can watch a video of Mobe Oner working on the mural on his Instagram page.

I had to take these pictures at an angle because the cramped parking lot and the addition of an upstairs patio. I was sorely tempted to stand on top of Bolton’s next door, something easily done, to get the picture, but I didn’t, and neither should you. The building is also home to part of the 615 Center complex, as you can see by the sign right next to the Feelin’ Lucky logo.

Located at 626A Main Street. the mural is on the west side of the building, facing towards downtown. There is retail and street parking available nearby.

April 10, 2021 0

House of Blues Fences of Fame, Part 9

Travelling clockwise around Columbine Park in Berry Hill, coming from Bransford Avenue, the last fence you come to in the series of murals done by Scott Guion is also the largest of all the fences. Well, almost the last – the smallest of the fences is behind this one, and you can see it in the main photo at top. I’ll feature it in a later post. These are also the only two of these murals that face east. Like the all the others in this series, they were of course sponsored by the Nashville branch of the House of Blues, which has since been sold to the Universal Music Group. (That story has a picture of Guion working on the first fence I featured in this series.)

The big fence seems a little worse for wear. It may simply be that it’s one of the oldest, but there is evidence that vines are some other plants were attached to it at some point, and the fact that it has greeted the rising sun for a few years seems to have faded it, and may have contributed to some of the flaking.

Like the other murals around the park, it presents an eclectic mix, though this one is particularly strong with heavy hitters. When arguably Neil Young or Louis Armstrong is the least famous of the group, you know you are dealing with some of the biggest stars around.

Faces Mural Nashville Street art — Stevie Wonder, Merle Haggard, Louis Armstrong

The first three figures are responsible for writing and popularizing a large part of the American songbook. Guion here follows the pattern of the rest of the fences, in that there is no real pattern to the ages he’s chosen for his subjects. Stevie Wonder is shown appearing to be in his 20s. A bit more surprising are the portraits of Merle Haggard and Armstrong, both of whom are shown much younger than they are usually depicted, but of course both had very long careers.

Billie Holiday is shown with her trademark gardenias. The Michael Jackson image is based on a picture taken in the early 1980s. The image of Neil Young is one that has been widely circulated, and appears to be from about 1972.

Loretta Lynn, Paul McCartney, John Lennon, Ringo Star, George Harrison

The image of Loretta Lynn is also one that has been widely circulated. It’s a publicity shot from 1962 by Michael Ochs. And while I couldn’t track down the precise image of The Beatles, it’s from around the same time, 1962 or ’63, making them all about ten years younger than Lynn in her portrait. And for the half-a-dozen people on the planet who don’t know, that’s Paul McCartney, John Lennon, Ringo Starr, and George Harrison.

See Part 1 of this series for why I’m just now writing about these murals. Spoiler alert: You can finally park in Berry Hill.

Located at 2801 Columbine Place at the corner of Columbine Place (west) and East Iris Drive. The mural faces the park. Parking is available around the park.

Part 1 Part 2 Part 3 Part 4 Part 5 Part 6 Part 7 Part 8 Part 10

April 6, 2021 2

Shed Strong

When looking for outdoor art in Nashville, sometimes it pays to drive around to the back of the building, as I did with the white building off Douglas Avenue that contains, among other businesses, the East Nashville branch of Shed Fitness. Shed Fitness Group is actually a chain, with four of its seven branches in Nashville. It’s been on this blog before, as Tarabella Aversa did a mural for their Germantown branch.

This mural on their Douglas Avenue branch is by Rachel Deeb, a photographer, artist and graphic designer who has also been on this blog before. This is her third mural that I am aware of for a fitness outlet, including Put up your dukes! on the side of the Church Street branch of Title Boxing Club and another mural for MK Fitness on Main Street. Sadly, while the Main Street mural survived the March 3, 2020 tornado, the building it was on was severely damaged and has since been demolished.

Unlike those previous two murals, which were primarily images (boxing gloves for the one, an abstract design for the other) this one leans more strongly to signage, featuring the slogan “Shed Strong.” The kettlebell and dumbbells are an obvious reference to Shed Fitness’s business, while the energetic lines and triangles are found in much of Deeb’s other work, including the the two previous fitness-themed murals. The mural went up last June, not long after the East Nashville branch of Shed Fitness opened. You can watch a video of Deeb creating it (it looks like she did it in one day) on her Instagram page.

Located at 747 Douglas Avenue. The mural is found on the northeast side of the building, which is the far side from Douglas. Enter the parking lot and go around to the back of the building. Obviously, parking is available.

March 29, 2021 0

Ham Baby

Back in 2008, Mitchell Delicatessen opened at 1402 McGavock Pike and quickly became a neighborhood favorite. They became so popular that by 2013 they needed to move to a larger space, though just down the street and across Riverside Drive, to 1306 McGavok. Not long after that, Mitchell’s acquired a mural on its west side (see below). I never wrote about that one, mostly because I never got around to finding out who the artists were. I was informed by Kim Radford, the creator of the newer mural featured above (it went up in April and May, 2018), that the original mural had been done by some of the employees at Mitchell Delicatessen. By 2018 the old mural had begun to deteriorate, and the owners were ready for a new one.

The old mural had been a little obscure in its imagery. The sandwich and the guitar are obvious, as was the sunrise based on a Tennessee state flag. On the other hand, why the original artists chose to include what appears to be a large cockroach and some Pac-Man like figures is less clear.

Radford’s mural is a different story. She chose to call it “Ham Baby,” and boy is it ever. This is a deli, and of course they serve a lot of ham, but a giant anthropomorphized sow with a “Greetings from Nashville” bikini definitely has presence. Her wink and flower tattoos only amplify the over-the-top nature of this fun mural. You can see closeups of the mural on Radford’s Instagram page. Indeed, she put up a whole series of posts on the mural’s creation. See links below.

One. Two. Three. Four. Five. Six. Seven. Eight. Nine. Ten. Eleven. Twelve.

Both of my pictures of the two murals are taken at an angle because of a fence and retaining wall that separates Mitchell’s parking lot from the driveway below and which obscure a more direct shot.

Located at 1306 McGavok Pike. The mural is on the west side of the building (in the direction towards Gallatin Road). There is some limited parking at Mitchell Deli. Be aware that the parking at the end of the driveway in the alley is reserved for another business. There’s paid parking to the east just off Riverside, on the other side of Village Pub.

March 22, 2021 0

House of Blues Fences of Fame, Part 8

Mississippi Sheiks Mural Nashville street art

Travelling clockwise around Columbine Park in Berry Hill, coming from Bransford Avenue, you’ll find at the northeast corner of the park a building with a small water tower in its parking lot. That building used to be the main House of Blues property of several around the park. I say used to be, because although I named this series after the House of Blues because they sponsored all the murals around the park which were done by Scott Guion, the whole complex was bought in January, 2019 by Universal Music Group. (That story has a picture of Guion working on the first fence I featured in this series.)

There are three murals associated with this building, two of which I’ve featured before. The mural above is unusual in that it features only one musical act. The only other mural in this series that features only one act is the garage door featuring B.B. King. It’s also unusual in that unlike all the other fences, Guion has not filled the fence end to end with portraits. Instead, he’s devoted almost half of this fence to a geometric pattern evoking flames. That may be because to really appreciate a portrait at the part of the fence farthest from the street, you’d have to be in the neighboring business’s parking lot.

The musicians featured here are members of the Mississippi Sheiks, an influential country blues and string band group that recorded and toured in the first half of the 1930s, best known for the song “Sitting on Top of the World.” (Listen to it on YouTube.) The group went through a few lineup changes, but this portrait is of three of its key members, Bo Carter, Lonnie Chatmon, and Walter Vinson. Bo Carter was born Armenter Chatmon and was Lonnie’s brother. Another brother, Sam Chatmon, also participated in the group. Indeed, the Chatmon family had a long history of musicianship starting with Henderson Chatmon, the family patriarch who had been born into slavery. Mandolin player Papa Charlie McCoy (not to be confused the harmonica player named Charlie McCoy) also performed and recorded with the Sheiks.

It’s interesting that Guion has chosen to show them as somewhat see-through, like ghosts. The lake and forest behind them perhaps represent the Mississippi Delta region that they were from. The portrait is based on a photograph you can see here. In the original photo, the musicians are leaning against a wall, and they are photographed at an angle, while Guion’s mural is more straight-on.

See Part 1 of this series for why I’m just now writing about these murals. Spoiler alert: You can finally park in Berry Hill. The mural peeking out from behind the Sheiks is this one.

Located at 517 East Iris Drive, which is the address of the building with the water tower. The mural is actually found off of Columbine Place, and faces south, away from the water tower. Parking is available around the park.

Part 1 Part 2 Part 3 Part 4 Part 5 Part 6 Part 7 Part 9 Part 10

March 20, 2021 2

Tennessee Tough

This mural is hard to miss, given its enormous size (135 feet long, 26 feet high) and its prominent location right across Korean Veterans Boulevard from the Nashville Music City Center. Being that it faces a parking lot, it’s a little difficult to get a “clean” photo, but I finally caught it without cars. It was, not surprisingly, sponsored by the Tennessee Titans, and went up back in September as part of Titans Kickoff Week for the 2020 season. It’s the work of Mobe Oner (Eric Bass), one of Nashville’s most versatile muralists.

The mural was inspired by Nashville’s response to the March 3 tornado and the pandemic. According to Titans Creative Director Surf Melendez:

“Tennessee Tough really just explains the resiliency of the people of Tennessee. Tennessee Tough are people who get their hands dirty for a living and do what they have to do, like our first responders, essential workers and teachers. Tennessee Tough is our football team.”

The mural shows an unnamed Titans player with the number “615” (the Nashville area code) on his jersey. Below his arms are the names of all of the counties of Tennessee. Above his arms are a series of quotes from various Tennesseans (or in the case of John Lewis, people associated with Tennessee.) From left to right:

“Teamwork is what makes common people capable of uncommon results.” Pat Summit, from “Reach for the Summit”
“I have always depended on the kindness of strangers.” Tennessee Williams, from “A Streetcar Named Desire”
“The triumph cannot be had without the struggle.” Wilma Rudolph, from a Chicago Tribune interview
“We’re ready to go to work for you because you’re our family.” Jon Robinson, from the press conference presenting him as the new Titans General Manager
“If not us, then who? If not now, then when?” John Lewis (a frequent quote of his)

The mural includes an augmented reality experience, created by MVP Interactive. If you go to the Titan’s page for the mural, you can get a QR code which will start the process (click on “Launch Augmented Reality”). It works on pictures, so try it on the image at the top of the screen (if you are on a computer). The quotes pop out of the mural, and the football player becomes 3-D and spikes the football.

This press release from the Titans includes a video of Bass working on the mural as well as discussing the process of creating it. He apparently had a lot of freedom in creating the image. You’ll also find an extensive photo essay of the mural’s creation there. The long-term future of this mural is perhaps questionable. The building it sits on, an office and industrial building, is a rare survivor from the industrial past of this neighborhood, and the land it sits on is undoubtedly worth millions – many millions.

Located at 424 6th Avenue South. That’s the address of the parking lot. It lies between 6th Avenue S and Rep. John Lewis Way South (aka 5th Avenue S), just south of Korean Veterans Blvd, and faces to the north. This is downtown, so lots of parking, not much of it free. If you are willing to walk a few blocks, there is some free street parking to the south.

March 15, 2021 0

Dolly at TailGate Brewery

One trend in Nashville outdoor art I can definitely support is the spread of portraits honoring Dolly Parton, like Kim Radford’s and the one by MuckRock. Now, both of those are on walls, and may be a little more permanent than this one. That said dumpsters are heavy, so this one will probably stick around a while. (By the way, I grew up calling them “dempsty dumpsters,” a corruption of the brand name of the original line of dumpsters, “Dempster Dumpsters.”)

Now, technically, I should have saved either Radford’s or MuckRock’s for today, as they are both women artists and today is International Women’s Day (and my father’s birthday!), but honoring Dolly is certainly in the spirit of the day, as she has long been a supporter of women’s rights and is something of a feminist icon, even though she’s careful about using the term “feminist.”

This piece appears to be signed “ALORD 20,” which confused me for a bit until I remembered that Drew Lord is the art director of Tailgate Brewery and responsible for all their art. The dumpster, you see, is located in the parking lot of their Demonbreun Street location (right across the street from the (in)famous Musica statue). The mural includes some outlines of the pickup truck that serves as one of Tailgate’s logos (look under the name “Dolly”). That this work was done by Tailgate suggests it has some staying power, certainly as long as Tailgate Brewery remains in that location.

The mural is based on a widely distributed photo that is probably from a 1970s promotion shoot. I have not been able to find who the photographer is, but Parton herself tweeted a copy of it on August 8, 2018, which apparently was International Cat Day. Her caption? (Or is that “cat-tion”?) “Just kittin’ around!” But of course.

Located at 1538 Demonbreun Street. The dumpster with the mural is in a small parking lot next to the traffic circle where the Musica statue is, and sits at the exit from the parking lot onto 16th Avenue South. There is parking in this area, but most of it is either pay lots or belongs to nearby businesses. Grab a brew and enjoy the art!

March 8, 2021 0

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