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Riverside Revival

It is something of a small trend in East Nashville that some church buildings have been repurposed in recent years. The rapidly shifting demographics of the region and the even more rapid rise in real estate values is undoubtedly behind this. The members of Family Affairs Ministries decided its home at the corner of Riverside and Porter was too large and too expensive to maintain, so they sold it to The Boedecker Foundation in 2017. (They put the money to good use – their new digs ain’t bad.)

The Boedecker Foundation is the project of George Boedecker Jr., co-founder and former CEO of Crocs. His foundation renovated and expanded the church complex, reopening it recently as Riverside Revival, an event space as well as a nonprofit hub to be called the East Nashville Community Collaborative.

And of course it has a mural, because more and more, that’s what businesses and enterprises in Nashville do. It’s the work of Danielle Duer, with assistance from Andee Rudloff. While Rudloff has done a number of murals around town, I believe this is Duer’s first outdoor mural in Nashville. It went in last November, and its riot of leaves and flowers is in keeping with much of Duer’s work. While currently sold out, Duer even has a handbag called “Garden Grow” in her online shop with a very similar design.

If you look closely at the picture at top, you’ll see three small, young trees that are currently leafless in the landscaped area in front of the mural. In time, not only will they leaf out, but they will grow. The leaves of the trees will blend with the leaves of the mural behind them. This mural is destined to become part of a three-dimensional installation. It is even four-dimensional, for the trees will change with the years and the seasons. Often, something blocking your mural is detrimental, but in this case I think it will lend vibrancy and long-term energy to this piece.

Riverside Revival Mural Nashville Street art
Riverside Revival Mural Nashville street art

Located at 1600 Riverside Drive. The mural is on the Porter Road side of the complex, and faces towards Riverside. There is a small parking lot on the other side of the annex that the mural is on, and a much larger one on the other side of the church building. Not much street parking is nearby.

Baked on Eighth

If you live in Nashville and pay any attention to murals, you’ve seen this. It’s on a major thoroughfare, it adorns a beloved sweet shop, so of course people put this on their Instagram. It’s a bachelorette favorite. Posting this now is not journalism!

This mural for Baked on Eighth appeared back in February, 2018. It is appropriately emblazoned with the slogan “Life Can be Sweet,” and is festooned with cookies and pies and cakes, exactly what Baked on 8th is known for. They change their menu regularly, but they focus on the sweet stuff.

The mural is the creation of Susanna Chapman. Chapman is a local illustrator and muralist who specializes in watercolors and book design, mostly children’s books. To my knowledge, this is her only outdoor mural in Nashville, but her illustration work is playful and energetic and would definitely lend itself to some fun murals. Hopefully we’ll see more from her.

This mural is hard to photograph. I like to photograph on cloudy days to avoid shadows, but the pastels look a little dark in anything besides bright sunlight. So imagine this on a sunnier day. Or better, make an order on a sunny day at Baked on Eighth, and go see it for yourself.

Located at 1512 8th Avenue South. The mural is on the south side of the building, looking down 8th Avenue away from downtown. There’s parking in back of Baked on Eight and there’s street parking just to the north on Lynwood Avenue, where you will find the mural featured in Hanging Around.

House of Blues Fences of Fame, Part 6

Of the many fences surrounding Columbine Park in Berry Hill with murals that depict famous musicians, the only fence that faces the park from the east lies directly in front of what used to be the main House of Blues building. The whole complex of House of Blues properties in Berry Hill was bought in January, 2019 by Universal Music Group. This fence is not as crowded with portraits as some of the others, probably because when it was first painted, there were two large trees in front of it that have since been removed. Like the whole set, this fence was created by  Scott Guion for the now closed Nashville branch of the House of Blues.

The people portrayed on this fence were all deeply influential, and it includes a couple of superstars. Like the other fences, Guion plays around with ages, with some of the artists shown as quite young, while others much older. Unlike some of the other fences, all of the artists depicted here have died. The left side of the fence includes the two biggest stars, with a middle-aged Johnny Cash and younger Aretha Franklin.

Berry Hill Faces Nashville street art
Johnny Cash and Aretha Franklin

The rest of the artists shown are important for their instrumental work, their singing, and their songwriting. Albert King was an important blues guitarist and singer best known for the song “Born Under A Bad Sign.” Carl Perkins was a was one of the key singer-songwriters of the early the rock-and-roll era who was known as the “King of Rockabilly.” He worked with a Rolodex of major artists, including a number of collaborations with his fence-mate Cash.

Berry Hill Faces Nashville street art
Albert King and Carl Perkins

On the right side of the fence we find Jimmy Reed, Howlin’ Wolf and Ralph Stanley. Reed was highly influential in the development of electric blues guitar playing. Howlin’ Wolf was also deeply influential in blues, as a singer, songwriter, guitarist and harmonic player. Stanley was a towering figure in the creation of bluegrass music. The reality is American music would sound very different without the people depicted on this fence.

Berry Hill Faces Nashville street art
Jimmy Reed, Howlin’ Wolf, and Ralph Stanley

See Part 1 of this series for why I’m just now writing about these murals. Spoiler alert: You can finally park in Berry Hill.

Located at 517 East Iris Drive. That’s the address of the building it stands in front of. It faces west towards the park and Columbine Place. Parking is available around the park.

Part 1 Part 2 Part 3 Part 4 Part 5 Part 7 Part 8 Part 9 Part 10

Frankie Pierce Park, Part 3

In August, 2019 Anthony Billups of Music City Murals and Olasubomi Aka-Bashorun did a series of murals in the new Frankie Pierce Park. The murals all honor one of Nashville’s most important Black activists, J. Frankie Pierce.  Pierce was a civil rights activist who played an important part in the women’s suffrage movement in Nashville, and who opened the Tennessee Vocational School for Colored Girls in 1923, which remained open until 1979.

There’s a long Pierce mural on the east side of the park. On the southwest side, there are two Pierce murals flanking a railroad underpass, the southernmost of which I’ve already featured. Today being the first day of African-American History Month, it’s a good time to wrap up this series. This third mural lies across the street from the second one. Here we can read a short biography of Pierce’s life and work in the form of a newspaper article, and learn about her campaigns for civil rights and women’s suffrage.

Frankie Pierce Park is a green space that includes a children’s playground that was built as a public-private partnership between Capitol View, a massive multi-block development, and Metro Parks. It lies in a triangle of land between two elevated railroad lines that separate Capitol View from Capitol Hill.

Today, the neighborhood the park is found in is know as Capitol View, after the enormous development project. There are even developers and real-estate agents who like to call it “North Gulch,” which is truly awful. But as the “newspaper article” that makes up the mural notes, when Frankie Pierce was alive, this patch of land was called Hell’s Half-Acre. Founded during Reconstruction, the neighborhood was populated by Blacks and immigrants. As it lay outside of city limits at the time, it was a place where saloons and all kinds of vice flourished, but was also home to a rich African-American culture. It was razed in the 1950s as part of a Capitol Hill Redevelopment plan, and largely remained empty (or used as parking lots) until the Capitol View development project was built. Gentrification, or just outright destruction of neighborhoods, is not a new problem in Nashville.

Here you can see the “newspaper” mural with its companion, looking out of the park towards the Capitol View development.

Underpass murals Nashville street art

Located at 130 Lifeway Plaza. That’s the address of the park. The mural is found on the south end of the park, on the southern railroad underpass, right off of Nelson Merry Street. The easiest parking is off of Nelson Merry, which you can see in the bottom image, and at Capitol View.

Part 1 Part 2

Do the Dew, Again

This colorful mural by Atlanta artist Kevin Bongang is not the first “Do the Dew” mural in Nashville. PepsiCo launched their “Do the Dew” global advertising campaign back in 2015, and as part of that campaign they have sponsored a number of murals. In early 2019, Eastside Murals produced their own “Do the Dew” mural on the old Family Dollar near Five Points. That was one of the many murals destroyed by the March 3, 2020 tornado. Indeed, the building it was on completely collapsed.

Almost exactly two years after that first Nashville “Do the Dew” mural went up, Bongang created this one. This is at the Citgo station at Fifth and Main, an intersection that is something of a gateway to East Nashville.  (The other main one would be Woodland and Fifth, near where the giant EAST mural is found.) The bulk of people coming from downtown pass by this spot as they come to the east side. Before this new mural went in, there was a small, rather quirky mural on this wall greeting drivers that focused more on Nashville themes.

Bongang’s mural fills the whole wall and spills around the corners on to the other walls (see below). While highlighting the “Do the Dew” theme, it’s more of a wild pastiche of images, including several birds. The mural faces across the river towards Nissan Stadium, which may explain the football, and the musical notes are likely a nod to Nashville’s status as Music City – or they may just be birdsong. This by the way is not Bongang’s first Nashville mural. He has a few others in town, including one just a few blocks away at Center 615.

Located at 500 Main Street. The mural is on the west wall, facing towards Fifth Street and downtown. There is parking at the Citgo.

Welcome to Nashville

This is another “only on Christmas” picture. This mural sits on a storage building in a Premier Parking paid lot attached to Nashville Pedal Tavern. Now if you’re local, that’s quite a pair. Neither one is exactly a favorite of Nashvillians. But hey, everyone’s got to make a living. And because of the bachelorettes and the row of bars along this stretch of Demonbreun, the lot is usually packed with cars, blocking the mural.

Not on Pandemic Christmas! It’s by Music City Murals, business home of Anthony Billups and Dean Tomasek. It’s a very Nashville mural. It features an enormous guitar, and the Cumberland River, with some folks enjoying a rowboat ride on the water. And the guitar neck leads to the Nashville skyline in front of a glorious sunset as seen from the east side of the river, including our city’s signature, the Batman Building. Just as the Eiffel Tower is all you need to say “Paris,” the Batman Building says “Nashville.”

Welcome Mural Nashville street art

It’s also interesting in that it can only be fully appreciated by looking at it from the corner. It’s a continuous image that wraps around the south and east sides of the building, forcing you to stand back from the corner to take it all in. Also, one of the dangers of it being in a tight parking lot, it’s been damaged. It’s pretty obvious someone backed into it, right below the word “Tennessee.”

Welcome Mural Nashville street art

Located at 1504 Demonbreun Street, at the corner with 14th Avenue South. The largest part of the mural faces east towards downtown. There’s obviously parking here, but not much free anywhere nearby. (Pro-tip: If you want to sound like a local, learn to pronounce “Demonbruen.”)

Hillsboro Village

What did you do on Christmas Day, 2020? I photographed murals. This mural has been around since 2012, and there have been cars parked in front of it pretty much every day since. But on pandemic Christmas, I stumbled on it car-free.

It is of course by Andee Rudloff. Anyone who reads this blog should recognize her style immediately. Like a lot of her work, this mural was a product of community collaboration. It was sponsored by Kay-Bob’s Grill and Ale, and sits on the side of their building. If you watch the time-lapse video of the mural’s production (produced by Stacey Irvin), you’ll see how it was made, which is typical of Rudloff’s work. She drew a black-and-white outline of all the figures, and completed all of the parts of the the mural that required a boom lift. Then, community volunteers helped complete the lower part of the mural.

The plaque on the mural, which includes a QR code that leads you to the video, thanks the Hillsboro Village Art Walk, an art and music crawl that used to be a monthly event in Hillsboro Village. Presumably the community volunteers in the video were participants in the Art Walk. It would have been one of the last Hillsboro Art Walks. The mural went up in the summer of 2012, and the last Art Walk was in September of that year.

The mural is a jumble of imagery, but the road at the top leads to green hills in the distance. If you drive down 21st Ave from the mural, yes, you’ll get to the Green Hills neighborhood. But it’s south, not west, and the sun shouldn’t be rising or setting in that direction. Oh well, it’s art! The mural has received a little wear in eight years, but it’s still standing. Hopefully, it will be around for many more.

(Note, Rudloff does not link to her Instagram page on her website, so here it is.)

Located at 1602 21st Avenue South. The mural is on the north side of the building, facing Caper’s Avenue. This is Hillsboro Village, so lots of parking, but not much of it free.

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