It seems that Eddie’s Cee Bee Food Store on Lafayette has closed for good, but that hasn’t stopped the artist who goes by jamersonsgc from turning it into his personal canvas. The full bee (an update) is found one side, these wings on another, and there’s more of his work around back on the loading dock I haven’t blogged about yet (in part because I’m not sure if it’s finished). The “more wings, less waiting” refers both to the sheer size (see the SUV for scale) and the fact that unlike certain other wings, you are not likely to have to wait in line to get your picture with these. Of course, now that Cee Bee’s has closed, how long these wings will be there is anybody’s guess, so get your selfie soon!
Located at 109 Lafayette Street. The mural faces the parking lot, on the north side of the building looking towards Wharf Avenue. Obviously, there is lots of available parking.
It’s not often I post about a brand new mural, but this one was finished within the last few days. I know it was largely complete last weekend, lacking mainly the barn sign and the billboard. So one of the dry days last week, the last touches must have gone up. It’s an Eastside Murals project, who’ve taken to signing their work “Out East Boys.” The Mountian Dew theme explains the “It’ll tickle your innards” on the billboard, as that comes from a 1960s Mountain Dew ad campaign. While internet research shows that there are other Mountain Dew muralsoutthere, it doesn’t seem to be a major campaign. “Born in Tennessee” is right, as Mountain Dew was invented in the 1940s by Tennesseans Barney and Ally Hartman as a mixer for whiskey. As this lies on the side of a shuttered Family Dollar store, it’s anybody’s guess how long it will last, depending on the owners’ plans for development. Get your selfie now. I should note when I went to photograph this, I had to wait my turn, as a father-daughter pair were doing their own impromptu shoot.
Located at 1000 Woodland Street. The mural lies on the east side of the building, facing 10th Street South. The old Family Dollar parking lot is now a paid lot, but if you are willing to walk a block or two, you can usually find free street parking nearby.
The new dawn – that’s what El Nuevo Amanecer means. An interesting name for a bar, particularly since it’s not clear it’s even a going concern. Their Facebook page shows that they had a couple of shows last year, but nothing since September. The only review is from someone complaining about the noise. And this site that keeps track of business licenses lists Nuevo Amanecer as “Inactive Dissolved.” The artist is also mysterious. While I would guess whoever did this is likely one of the artists who specialize in decorating Latino businesses, those artists not only usually sign their work but add their phone number as well, in case you want to hire them. There’s nothing on this one. Given this is just a few blocks from the future soccer stadium, I imagine some developer will snatch it up soon enough. Get your selfies soon.
Located at 398 Rosedale Avenue. This is at the corner of Nolensville Road, along the 2200 block behind Restaurante El Paraiso. There is plenty of parking.
This version of Miles Barbershop on Jefferson, along with La Unique Hair Design, is closed and has been for some time. What relationship it might have with the Miles Barbershop and Hair Salon on Ewing in northeast Nashville or the Miles Barbershop off Hickory Hollow in Antioch, I don’t know, though the fonts used in their different signs seem the same. The damage from weather and mold is obvious for both the signs and the buildings, but they are a reminder that fancy hand-painted signs are nothing new. This kind of signage used to be common along the Jefferson and Buchan Street corridors, but there is less of it now. Jefferson Street is changing rapidly, and the fate of this building and its deteriorating signs is anybody’s guess. Maybe a future tenant will preserve the signs representing the old neighborhood, as happened when Lockeland Table moved into the old home of Boutique Coiffures.
Located at 1609 Jefferson Street. The signs are on the east side of the building. There is easy parking at this spot.
I don’t often do very new work, but as this is a paper image in an outdoor setting, and is by nature ephemeral, so I want to post about it now before it’s gone. It’s a Brian Wooden piece and fits in a style we’ve already seen in works like the one I featured in Striding. Based on his Instagram feed, it’s a fairly new piece (that link is dated August 20) and there are others like it. You can even get a holographic sticker with the same design. If you want your selfie with this one, go soon. The paper is already peeling a bit.
Located on the 800 block of 12th Avenue North. There are railroad tracks behind Marathon Village. This installation in on the south side of the I-40 bridge over those tracks, facing Marathon Village. There is gravel lot right next to this installation.
Once upon a time, there was a muffler shop at 935 4th Avenue South called Tiger Muffler Center. It is no more. It would appear there is now an auto repair store at that address called Los Partners, though they don’t have much of an online presence. Why they or whoever owns the building decided to erase “muffler center” but leave the rest of the sign is unknown to me – maybe they just like tigers. It does change the meaning of the sign. Instead of telling us “This is the name of the muffler store,” it now says to us “Yes, that’s a tiger. The individual holding a muffler is indeed a tiger.” Ghost signs from lost businesses are of course nothing new, such as the Dutch Maid sign. “Los Partners” is an odd name, given that in Spanish the word for “partner” (as in “business partner”) is “socio.” Signs of an emerging hybrid culture, I suppose. The tiger image, however, must be considered endangered, like its natural counterpart, given that the store it supported is long gone. Check it out while you can.
Located at 935 4th Avenue South. This is a tricky place to park, particularly on a weekday when the businesses on this stretch are all open. The nearest street parking appears to be on 3rd Avenue South.
The scope of this blog includes not only murals and sculpture, but also “interesting signs.” And the sign for the old Key Motel definitely counts as interesting. There are at least a couple other of these old survivors on Dickerson, left over from the days before the interstates were built when Dickerson Pike, know also at US Highway 41, was the main route from the north into the city. Currently, the Key Motel is undergoing renovation, hence the fence. While it will reopen as a hotel, the developer is noncommittal as to whether he will keep the name, much less renovate the sign, so the future of this survivor is uncertain. Get your selfies while you still can. The southern side of the sign is actually in better condition, but it’s also partially obscured by vegetation. See below.
The story of the mural on what is now the Fond Object building is complicated, as it is not one mural, but at least four. Back in 2012, a community produced mural led by Savannah McNeill of Hey Wanderer went up. There’s a nice time-lapse video of its production on YouTube. Look for the “two hands” picture below (I think I got that image from Google street view, but I’m not sure). But that was only the beginning. A Tim Kerr portrait of experimental producer Joe Meek went up in time to get the “best mural” award in the Nashville Scene’s Best of 2014 edition. See the picture below with Meek but not Tom Petty. Then, in the aftermath of the death of Tom Petty, a Jules Muck portrait honouring him went up this year. And more recently, a tribute by Jason Galaz and Maria “Poni” Silver to the co-owner of Fond Object, Joe Pettit, was added to the corner. There was never any whitewash. Pieces of the original mural are still visible. And yet this rapidly transforming mural may meet its ultimate transformation soon, as the building itself is under threat, as the owner is seeking to replace the building with a major development. Whether this multi-layered, multi-artist mural can survive very much remains to be seen.
Located at 1313 McGavock Pike. The mural faces Riverside Drive. Your best bet for parking is probably the gas station across the street.
And the blog is back! How about a whole lot of art to celebrate? Back in April, there was an art show at an old warehouse in The Nations whose only indication of its past is a damaged sign that seems to have once read “Motor Parts.” The show was carried out by Impermanent, which bills itself as “a collective of artists who are displaying their talents in the world of subversive and immersive art within an uninhibiting environment,” and was done in partnership with Nashville Civic Design Center and The Oasis Real Foundation. The show produced art both inside and out at the warehouse. This blog covers outdoor art, but you can see some of the creations inside in this video. Some of the work on the outside features tags associated with the UH crew. There is one piece signed by Brandon Donahue (look for the “ink blot” image that is the second image in the South Wall slideshow below). On the Impermanent website the orange face above is credited to Sterbo, and based on style, the mouse on the south wall and the mouse and head on the north wall appear to be the work of Adam Hale, while the ice cream colored scene around the orange face fits the style of Kevin Bongang. Presumably, the other artists listed on Impermanent’s Who page were also involved in producing the outdoor art. (I really should have gone to this show – I’d be better informed. It must have been laundry night!) Go check it out soon. An abandoned warehouse in the go-go-go real estate market of The Nations won’t last long.
UPDATE: These murals have been painted over.
East Wall, left to right.
South Wall, left to right.
West Wall, full, then left to right.
North Wall, left to right
Located at 1211 57th Avenue North. Street parking is available.