Search

nashville public art

No art left behind

Tag

#thenations

The Nations Wall – Part 1

Woodeb Nations mural street art Nashville

A few months ago, a massive set of new murals appeared on the west-facing wall of Music City Tents and Events, with a giant “The Nations” logo as its centerpiece. It was sponsored by the Nashville Walls Project (though as of this publication date it does not appear on their website). It brings together on one wall many of Nashville’s most prolific muralists. My intention is to work through it left to right, which is approximately north to south. I will also include in this first post of the series images of what the whole wall looks like together (see below). This first one is by Brian Wooden, and here we see a common theme of his, the headless well-dressed man. You’ll find it elsewhere, such as in the murals featured in Sharp dressed man with roses and Striding.

Nations mural street art Nashville

Nations mural street art Nashville

Part 2 Part 3 Part 4 Part 5 Part 6 Part 7 Part 8 Part 9 Part 10

Located at 5901 California Ave, Nashville, TN 37209. The murals actually face the 1300 and 1400 block of 60th Avenue North, across from the intersection with Pennsylvania Avenue. Street parking is possible nearby.

Bare Bones Butcher

Cow mural street art sign Nashville

Some months before Bare Bones Butcher opened, it seemed likely a butcher was going into the new building at 51st and Illinois in The Nations. Either that or maybe a Mexican folk art store. Their quite visible sign (by their own account) is a product of I Saw The Sign, Meghan Wood’s hand-lettered sign and mural company. Their work is all over town and you’ve no doubt shopped at one of their clients, or at least driven on the interstate near the football stadium. While their work is generally more understated than that of many of our local muralists, by helping a number of local businesses up their graphics game, I Saw The Sign has become an important contributor to Nashville’s “look.”

Located at 906 51st Avenue North. There is parking on the backside of the building and on nearby side streets. Get you some fresh cuts and enjoy the art!

Anchor in the Storm

Anchor sculpture public art Nashville

Of all the works sponsored by the Metro Nashville Arts Commission, this is one of the more unusual. It becomes more understandable once you read about it on Metro Art’s website. This piece, “Anchor in the Storm” (2013), by Betty and Lee Benson, commemorates a moment when a quarry saved the local neighborhood. During the 2010 flood, 700 billion gallons of floodwater poured into the Reostone Quarry (located on Robertson Avenue just a few blocks from the sculpture), water that would have otherwise innundated the nearby neighborhoods of Charlotte Park, The Nations, and Crowley Wood. The rock, from the quarry, was carved and donated by the quarry’s owners,  Rogers Group. The log structure is a raft, representing the neighborhoods saved by the quarry. Of course, I imagine it mostly serves as some interesting whimsey for small children to climb on. (The mural on the water tank behind is by Eric Henn. Read about it in This one is BIG!)

This slideshow requires JavaScript.

Located at 6105 Morrow Road, i.e. West Park. The sculpture is just a few feet from Morrow Rd, in the northeast corner of the park. There is plenty of parking at the park, and there is nearby street parking.

 

The Fountain of Juice

Juice mural street art Nashville

On rapidly developing 51st Ave North in the heart of The Nations, you have to work to stand out. The Fountain of Juice is hard to miss with this mural by North Carolina artist Alyson Record. The Fountain of Juice makes and sells, guess what, juices, and uses raw fruits and vegetables grown organically from local sources. The mural thus is a representation of the raw materials Fountain of Juice uses to make its products. It’s reminiscent of a similar mural that’s just a few blocks away on the side of Miel. It too features the locally grown produce used in their menu and features mushrooms and flowers as well. It is somewhat blocked in this picture, but the mural is signed @ajoy.art, which leads to Record’s Instagram page, where you can find a story showing the process of producing the mural.

Located at 901 51st Avenue North. There is some parking in the back of the building, and street parking on Michigan and Illinois Avenues, north and south of the building. The mural is on the north side of the building. Get you some health juice and enjoy the art!

Marathon Gas Mural

Marathon Gas mural street art Nashville

The new mural by Michael Cooper of Murals and More is an interesting addition to Nashville’s outdoor art scene. Unlike most outdoor art murals in town, tourists won’t be getting their portraits taken in front of it, pretending perhaps to be run over by the large truck in the center.  The Marathon Gas terminal on 51st is decidedly industrial and off-limits to outsiders. That fence is as close as you’ll get without an invitation. But the Marathon terminal is also in a rapidly gentrifying neighborhood, on the north end of The Nations. Just down the street are places like Nicky’s Coal Fired Pizza, an outpost of Frothy Monkey, and a Frutta Bowls. Fancy apartments have opened a couple blocks north, and more are coming. And murals are popping up all over as part of this gentrification, such as the one for Village Realty and of course the giant silo mural. Marathon may simply be trying to stay in tune with the changing neighborhood, or it may be playing a little defense. The Nations used to be the kind of low and middle-income neighborhood that an industrial site holding hazardous material is often found in, but now Marathon has wealthier neighbors not always accustomed to living near such a site. Some art might make the relationship a little easier. In the slideshow below, take a look at how Cooper cleverly incorporated the Marathon sign that was already on the building.

This slideshow requires JavaScript.

Located at 1472 51st Avenue North. There is some street parking south of the railroad and at local businesses. A path has recently been installed along the fence, and there’s a picnic table as well. Grab a cup at Frothy and enjoy the art!

Village

VillageClose

Art breeds art. That seems to be very true in the burgeoning outdoor art scene in Nashville. When Darek Bell of Corsair Distillery and Bell and Associates Construction bought the Continental Machinery Movers complex on Centennial Boulevard, he told the Nashville Post of his plans to include art in the development.

To recognize the evolving character of the neighborhood, Bell said he plans to work with local artists to add a large mural on the building’s Centennial Boulevard face. He pointed to the Silo Bend mural, located nearby, as an “instant landmark that garnered national attention” as a model of sorts.

Village Realty is an early client in the building (that story is at this moment behind a paywall), thus the “village” of this very new mural by Eastside Murals. The mural references a number of well known Nashville sights: the Ghost Ballet sculpture (more commonly known as “the thing down at the river that looks like a broken roller coaster”), the sign outside The Nations Bar and Grill, the Betty Boots sign, the Batman Building, the Ryman, and our very own Greek temple, the Parthenon at Centennial Park. This is the first time I have seen the Stix sculpture referenced as a local landmark in a Nashville mural. Maybe people are getting used to it!

VillageFull

This slideshow requires JavaScript.

Located at 4717 Centinneal Boulevard. At present, the parking lot is fenced though usually open. The nearest safe street parking is on 49th Avenue North.

Maybe you’ve seen this one?

SiloMain.jpg

I’ve often said I’m a blogger, not a journalist. Still, this is a pretty prominent mural, and it was finished almost a year ago. One issue has been photographing it. You would think something this big and visible would be easy to shoot, but given the industrial area it’s in, getting a good angle isn’t easy. And of course, that’s not whole mural – the rest is below. Sponsored in part by the Nashville Walls Project, the mural is the work of Australian artist Guido van Helten. (That website hasn’t been updated in a while. You can find his more recent work on his Facebook page.) Van Helten makes a specialty of giant portraits of people local to the community he is painting in. The gentleman featured here is Lee “LD” Estes, a 92-year-old lifetime resident of The Nations, the West Nashville neighborhood where this mural is found. The mural represents both the gentrification of The Nations and, in Estes, the longer traditions and history of The Nations. This article discusses that and has some good pictures as well. The silo itself is almost all that’s left of what was once Gillette Grain Co. Now its part of Silo Bend, a 38 acre development project of Southeast Venture that includes both housing and retail. Southeast Venture planned on keeping the silo from the beginning, and commissioned the mural, and now the silo and the mural feature prominently in the development’s branding. You can watch a series of day by day videos documenting its creation, and there’s also a time-lapse video for the whole project.

SiloKids

Located near the intersection of Centennial Boulevard and 51st Avenue North. The portrait of Estes can be best viewed from the parking lot of the shopping complex that includes a branch of White Bison Coffee, located at 5202 Centennial. Getting a clear view of the two children is tricker, and might be considered trespassing, though it’s not marked as such. Go north on 54th Avenue from Centennial, and cross the railroad track, turning right immediately. This is a construction staging area at the moment. The gravel road paralleling the railroad goes right up to the silo. No one stopped me when I did this. Hopefully, once all the construction is finished, proper public access will be available.

Impermanent, The Nations

MPSouthFull

And the blog is back! How about a whole lot of art to celebrate? Back in April, there was an art show at an old warehouse in The Nations whose only indication of its past is a damaged sign that seems to have once read “Motor Parts.” The show was carried out by Impermanent, which bills itself as “a collective of artists who are displaying their talents in the world of subversive and immersive art within an uninhibiting environment,” and was done in partnership with Nashville Civic Design Center and The Oasis Real Foundation. The show produced art both inside and out at the warehouse. This blog covers outdoor art, but you can see some of the creations inside in this video. Some of the work on the outside features tags associated with the UH crew. There is one piece signed by Brandon Donahue (look for the “ink blot” image that is the second image in the South Wall slideshow below). On the Impermanent website the orange face above is credited to Sterbo, and based on style, the mouse on the south wall and the mouse and head on the north wall appear to be the work of Adam Hale, while the ice cream colored scene around the orange face fits the style of Kevin Bongang. Presumably, the other artists listed on Impermanent’s Who page were also involved in producing the outdoor art. (I really should have gone to this show – I’d be better informed. It must have been laundry night!) Go check it out soon. An abandoned warehouse in the go-go-go real estate market of The Nations won’t last long.

UPDATE: These murals have been painted over.

East Wall, left to right.

This slideshow requires JavaScript.

South Wall, left to right.

This slideshow requires JavaScript.

West Wall, full, then left to right.

This slideshow requires JavaScript.

North Wall, left to right

This slideshow requires JavaScript.

Located at 1211 57th Avenue North. Street parking is available.

Garage colors

HuntsGarageMain

I don’t usually do new work, but this is fairly new. The building appears to be part of Hunt’s Garage in The Nations. That’s what the gentleman working there seemed to indicate when he came out and joked that taking pictures of the mural would cost me $20. While the mural is unsigned, the same man told me that the artist who did this also painted an old trailer (of the big rig kind) for him. Well, that trailer (see below) has the “Rasmo” tag on it, which is a tag commonly found on UH crew installations. So call this a UH crew project, or at least UH adjacent. That’s where I’ll put it on the Artists page until I hear otherwise.

Located on 52nd Avenue, between Lousiana and Pennsylvania Avenue. The trailer sits at the three-way corner of 52nd, Centinneal Blvd, and Pennsylvania.  Street parking is available.

Powered by WordPress.com.

Up ↑